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Di qua varcando sul primo albore - Cavatina
from Act I, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Stiffelio, a preacher of the Gospel
- Voice Part : tenor Fach : spinto
- Setting : a hall in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Stiffelio has returned from one of his gospel missions and tells the crowd about what happened on his trip. He says that a boatman named Walter saw a man jump out of a high window while be watched by a terrified woman. As he fell, a letter fell out of his pocket and the boatman found it and gave it to Stiffelio. Stiffelio throws the letter in the fire at the end of the story.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
Vidi dovunque gemere
from Act I, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Stiffelio, a preacher of the Gospel
- Voice Part : tenor Fach : spinto
- Setting : a hall in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Stiffelio tells the assembled crowd of the moral degradation going on in the world outside of Salzburg.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
Ah v'appare in fronte scritto - Cabaletta for Vidi dovunque gemere
from Act I, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Stiffelio, a preacher of the Gospel
- Voice Part : tenor Fach : spinto
- Setting : a hall in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Stiffelio finds that his wife Lina is not wearing her wedding ring. He accuses his wife of cheating on him.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
A te ascenda, O Dio clemente - Preghiera
from Act I, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Lina, Stiffelio's wife
- Voice Part : soprano Fach : dramatic coloratura
- Setting : a hall in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Lina prays to God for forgiveness for being unfaithful to Stiffelio.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
Ah dagli scanni eternei
from Act II, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Lina, Stiffelio's wife
- Voice Part : soprano Fach : dramatic coloratura
- Setting : a graveyard by an old church near Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Lina is in the graveyard to witness a duel between her father and her illicit lover Raffaele. She comes across the tomb of her mother and calls out for help from her.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
Perder dunque voi volete - Cabaletta for Ah dagli scanni eternei
from Act II, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Lina, Stiffelio's wife
- Voice Part : soprano Fach : dramatic coloratura
- Setting : a graveyard by an old church near Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Raffaele tells Lina that he loves her and that he would rather fight for her love than to stop loving her. Lina reproaches him, attempting to get him to avoid the upcoming duel with her father.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
Lina pensai che un angelo
from Act III, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Stankar, Lina's father and a colonel and a count.
- Voice Part : baritone Fach : dramatic baritone
- Setting : a room in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Stankar has found a letter that says that his daughter is planning to leave and chase after Raffaele. He now feels like he has nothing left to live for.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
O gioia inesprimibile - Cabaletta for Lina pensai che un angelo
from Act III, Scene 1 of the Italian opera, Stiffelio by Giuseppe Verdi
Libretto : Francesco Maria Piave
- Role : Stankar, Lina's father and a colonel and a count.
- Voice Part : baritone Fach : dramatic baritone
- Setting : a room in Stankar's castle, Salzburg, Austria, early 19th century
- Range : Has not been entered yet.
- Synopsis : Stankar has found a letter that says that his daughter is planning to leave and chase after Raffaele. He now feels like he has nothing left to live for.
- Sound file : none
- Translation and/or Aria Text : Libretto originally entered by Stephen Parker.
- Recordings : Complete Opera Excerpts from Opera
- Where to Find It : No longer in print to our knowledge. Try university music libraries.
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