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Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Voice Part: bass
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: a dancer
Voice Part: soprano
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: wife of Micha and mother of Vasek
Voice Part: mezzo-soprano
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: son of Micha by his first marriage
Voice Part: tenor
Arias:
Jak mozná verit (Soon now, my dearest - Jenik's Aria) - from Act II. Range: 3G - 4A    Extras: The Ultimate Tenor Aria Album (Version 2.0) by - Sheetmusicplus.com Operatic Anthology, Volume 3 - Tenor by Kurt Adler - Kurt Sheetmusicplus.com
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: a marriage broker
Voice Part: bass
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: a peasant. husband of Ludmilla and father of Marenka
Voice Part: baritone
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: wife of Krusina and mother of Marenka
Voice Part: mezzo-soprano
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: daughter of Krusina and Ludmilla
Voice Part: soprano
Arias:
Kdybych se co takového (Ah my darling, we could grow together - Marenka's Aria) - from Act I. Range: 4D - 5A    Extras: The Ultimate Soprano Aria Album (Version 2.0) by - Sheetmusicplus.com Prima Donna
Och, jaky zal!…Ten lásky sen (How can I live…How strange and dead is everything here) - from Act III. Range: 4F - 5A
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: a landlord, husband of Hata and father of Vasek and Jenik
Voice Part: bass
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: leader of a circus
Voice Part: tenor
Opera: The Bartered Bride (Prodaná Nevesta)
Composer: Bedrich Smetana
Description: son of Micha and Hata
Voice Part: tenor
Arias:
Má ma-ma-ticka (N…n…n…now, my dear) - from Act II. Range: 3G - 4A
To-to mi v hlave lezí (Oh, how d…d…d…doubts fill me) - from Act III. Range: 3E - 4G#/Ab
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