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Displayed are abridged listings for each aria in the Database, sorted by composer's name. You may see the full listing of an aria by clicking on its title. Clicking on the opera or composer name will bring up a list of arias on the Database that are from the opera or by the composer respectively. An
in the aria indicates that the text of the aria is currently available on the Database. Likewise, a
indicates a translation for the aria and an
indicates a MIDI sequence for the aria.
A Midsummer Night's Dream by Benjamin Britten
Adriana Lecouvreur by Francesco Cilèa
Agrippina by George Frideric Handel
- Bel piacere e godere,
Italian aria sung by Poppea (soprano) in Act III, Scene 1
- Coll'ardor del tuo bel cor,
Italian aria sung by Nerone (soprano) in Act III, Scene 1
- Come nube che fugge,
Italian aria sung by Nerone (soprano) in Act III, Scene 2
- L'alma mia frà le tempeste,
Italian aria sung by Agrippina (soprano) in Act I
- Non hò cor che per armarti,
Italian aria sung by Agrippina (soprano) in Act I
- Ogni vento ch'al porto lo spinga,
Italian aria sung by Agrippina (soprano) in Act II
- Pensieri, voi mi tormentate,
Italian aria sung by Agrippina (soprano) in Act II
- Quando invita la donna l'amante,
Italian aria sung by Nerone (soprano) in Act II
- Se giunge un dispetto,
Italian aria sung by Poppea (soprano) in Act I
- Se vuoi pace,
Italian aria sung by Agrippina (soprano) in Act III, Scene 2
- Tacerò, purchè fedele,
Italian aria sung by Ottone (contralto) in Act III, Scene 1
- Vaghe fonti,
Italian aria sung by Ottone (contralto) in Act II
- Vaghe perle,
Italian aria sung by Poppea (soprano) in Act I
- Vieni, oh cara,
Italian aria sung by Claudio (bass) in Act I
- Voi che udite,
Italian aria sung by Ottone (contralto) in Act II
Albert Herring by Benjamin Britten
- Albert the Good, English aria sung by Albert Herring (tenor) in Act II, Scene 2
- Doctor Jessop's midwife, English aria sung by Florence (contralto) in Act I, Scene 1
- I can't remember everything, English aria sung by Albert Herring (tenor) in Act III
- I'm full of happiness, English aria sung by Lady Billows (soprano) in Act II, Scene 1
- Is this all you can bring?, English aria sung by Lady Billows (soprano) in Act I, Scene 1
- Now then! Notebook, Florence, English aria sung by Lady Billows (soprano) in Act I, Scene 1
- Tickling a trout, poaching a hare, English aria sung by Sid (baritone) in Act I, Scene 2
- What would Missus Herring say?, English aria sung by Nancy (mezzo-soprano) in Act III
Alcina by George Frideric Handel
- Ah! Ruggiero crudel…Ombre pallide,
Italian aria sung by Alcina (soprano) in Act II, Scene 2
- Ah, mio cor!,
Italian aria sung by Alcina (soprano) in Act II, Scene 1
- Credete al mio dolore,
Italian aria sung by Morgana (soprano) in Act III, Scene 1
- Mi lusinga il dolce affeto,
Italian aria sung by Ruggiero (mezzo-soprano) in Act II, Scene 1
- Mi restano le lagrime,
Italian aria sung by Alcina (soprano) in Act III, Scene 1
- Stà nell'Ircana pietrosa tana,
Italian aria sung by Ruggiero (mezzo-soprano) in Act III, Scene 1
- Tornami a vagheggiar,
Italian aria sung by Alcina (soprano) in Act I, Scene 2
- Verdi prati,
Italian aria sung by Ruggiero (mezzo-soprano) in Act II, Scene 1
Alzira by Giuseppe Verdi
- Da Gusman sul fragil barca,
Italian aria sung by Alzira (soprano) in Act I, Scene 2
- Eterna la memoria,
Italian aria sung by Gusmano (baritone) in Act I, Scene 1
- Irne lungi ancor dovrei,
Italian aria sung by Zamoro (tenor) in Act II, Scene 2
- Nell'astro più che fulgido,
Italian aria sung by Alzira (soprano) in Act I, Scene 2
- Non di codarde lagrime,
Italian aria sung by Zamoro (tenor) in Act II, Scene 2
- Quanto un mortal può chiedere,
Italian aria sung by Gusmano (baritone) in Act I, Scene 1
- Risorto fra le tenebre,
Italian aria sung by Zamoro (tenor) in Prologue
- Un Inca, eccesso orribile,
Italian aria sung by Zamoro (tenor) in Prologue
Amahl and the Night Visitors by Gian-Carlo Menotti
Andrea Chénier by Umberto Giordano
Ariadne auf Naxos by Richard Strauss
Arianna by Claudio Monteverdi
Ariodante by George Frideric Handel
- Al sen ti stringo,
Italian aria sung by King of Scotland (bass-baritone) in Act III
- Apri le lucì,
Italian aria sung by Dalinda (soprano) in Act I, Scene 1
- Dopo notte,
Italian aria sung by Ariodante (mezzo-soprano|tenor) in Act III
- Il mio crudel martoro,
Italian aria sung by Ginevra (soprano) in Act II
- Neghittosi or voi che fate?,
Italian aria sung by Dalinda (soprano) in Act III
- Orrida a gl'occhi miei,
Italian aria sung by Ginevra (soprano) in Act I, Scene 1
- Scherza infida,
Italian aria sung by Ariodante (mezzo-soprano|tenor) in Act II
- Tu preparati a morire,
Italian aria sung by Ariodante (mezzo-soprano|tenor) in Act II
Ascanio in Alba by Wolfgang Amadeus Mozart
- Ah di sì nobil,
Italian aria sung by Ascanio (soprano) in Act I
- Al chiaror di que' bei rai,
Italian aria sung by Venus (soprano) in Act I
- Al mio ben mi veggio avanti,
Italian aria sung by Ascanio (soprano) in Act II
- Cara, lontano,
Italian aria sung by Ascanio (soprano) in Act I
- Come è felice stato,
Italian aria sung by Silvia (soprano) in Act I
- Dal tuo gentil sembiante,
Italian aria sung by Fauno (soprano) in Act II
- Infelici affetti miei,
Italian aria sung by Silvia (soprano) in Act II
- L'ombra de rami tuoi,
Italian aria sung by Venus (soprano) in Act I
- Per la gioja in questo seno,
Italian aria sung by Aceste (tenor) in Act I
- Se il labbro più no dice,
Italian aria sung by Fauno (soprano) in Act I
- Sento che il cor mi dice,
Italian aria sung by Aceste (tenor) in Act II
- Si, ma d'un altro amore,
Italian aria sung by Silvia (soprano) in Act I
- Spiega il desio le pinme,
Italian aria sung by Silvia (soprano) in Act II
- Torna mia bene,
Italian aria sung by Ascanio (soprano) in Act II
Attila by Giuseppe Verdi
- Allor che i forti corrono,
Italian aria sung by Odabella (soprano) in Prologue, Scene 1
- Cara patria già madre e reina,
Italian aria sung by Foresto (tenor) in Prologue, Scene 2
- Che non avrebbe il misero,
Italian aria sung by Foresto (tenor) in Act II, Scene 3
- Da te questo or m'è concesso,
Italian aria sung by Odabella (soprano) in Prologue, Scene 1
- Dagl'immortali vertici,
Italian aria sung by Ezio (baritone) in Act II, Scene 1
- E' gettata la mia sorte,
Italian aria sung by Ezio (baritone) in Act II, Scene 1
- Ella in poter del barbaro,
Italian aria sung by Foresto (tenor) in Prologue, Scene 2
- Mentre gonfiarsi l'anima parea,
Italian aria sung by Attila (bass) in Act I, Scene 2
- Oh! Nel fuggente nuvolo,
Italian aria sung by Odabella (soprano) in Prologue, Scene 1
- Oltre quel limite, t'attendo, o spettro,
Italian aria sung by Attila (bass) in Act I, Scene 2
Aïda by Giuseppe Verdi
Bastien und Bastienne by Wolfgang Amadeus Mozart
- Befraget mich ein zartes Kind,
German aria sung by Colas (bass) in Act I
- Diggi, daggi, shurry, murry,
German aria sung by Colas (bass) in Act I
- Er war mir sonst treu und ergeben,
German aria sung by Bastienne (soprano) in Act I
- Geh'! du sagst mir eine Fabel,
German aria sung by Bastien (tenor) in Act I
- Grossen Dank dir abzustatten,
German aria sung by Bastien (tenor) in Act I
- Ich geh' jetzt auf die Weide,
German aria sung by Bastienne (soprano) in Act I
- Mein liebster Freund,
German aria sung by Bastienne (soprano) in Act I
- Meiner Liebsten schöne Wangen,
German aria sung by Bastien (tenor) in Act I
- Wenn mein Bastien einst im Scherze,
German aria sung by Bastienne (soprano) in Act I
- Würd'ich auch wie manche Buhlerinnen,
German aria sung by Bastienne (soprano) in Act I
Benvenuto Cellini by Hector Berlioz
Blake by Leslie Adams
Boris Godunov by Modest Mussorgsky
- Death of Boris (Prashchai moy sïn), Russian aria sung by Boris Godunov (bass-baritone) in Act IV, Scene 1 (Scene 2 in complete version)
- Marina's Aria (Skushno Marina!), Russian aria sung by Marina Mnishek (soprano) in Act III, Scene 1
- Monologue of Boris (Dostig ja vïsshei vlasti),
Russian aria sung by Boris Godunov (bass-baritone) in Act II
- Pimen's Aria (Smirennïi inok), Russian aria sung by Pimen (bass) in Act IV, Scene 1 (Scene 2 in complete version)
- Skorvit dusha!, Russian aria sung by Boris Godunov (bass) in Prologue, Scene 2
- Song of the Drake (Pai mala ja siza selyeznja), Russian aria sung by The Innkeeper (mezzo-soprano) in Act I, Scene 2
- Song of the Gnat (Kak komar drova pubil), Russian aria sung by An Old Nurse (contralto) in Act II
- Song of the Parrot (Popinka nash sidel), Russian aria sung by Fyodor (mezzo-soprano) in Act II
- The Clock Scene (Uf, tja zhelo!), Russian aria sung by Boris Godunov (bass-baritone) in Act II
- Varlaam's Song (kak vo gorode bïlo vo kazani), Russian aria sung by Varlaam (bass) in Act I, Scene 2
Béatrice et Bénédict by Hector Berlioz
Candide by Leonard Bernstein
- Dear Boy, English aria sung by Pangloss (baritone) in Appendix
- Eldorado, English aria sung by Candide (tenor) in Act II
- Glitter and be gay, English aria sung by Cunegonde (soprano) in Act I
- I am easily assimilated, English aria sung by The Old Lady (mezzo-soprano) in Act I
- It Must be Me, English aria sung by Candide (tenor) in Act I
- It Must be So, English aria sung by Candide (tenor) in Act I
- My Love, English aria sung by Governor of Buenos Aires (tenor) in Act I
Carmen by Georges Bizet
Cavalleria Rusticana by Pietro Mascagni
Così fan tutte by Wolfgang Amadeus Mozart
- Ah lo veggio,
Italian aria sung by Ferrando (tenor) in Act II, Scene II
- Come scoglio,
Italian aria sung by Fiordiligi (soprano) in Act I, Scene III
- Donne mie, le fate a tanti,
Italian aria sung by Guglielmo (baritone) in Act II, Scene II
- In uomini, in soldati,
Italian aria sung by Despina (soprano) in Act I, Scene III
- Non siate ritrosi,
Italian aria sung by Guglielmo (baritone) in Act I, Scene III
- Per pietà,
Italian aria sung by Fiordiligi (soprano) in Act II, Scene 2
- Rivolgete a lui lo sguardo,
Italian aria sung by Guglielmo (baritone) in Act I, Scene III
- Smanie implacabili,
Italian aria sung by Dorabella (mezzo-soprano|soprano) in Act I, Scene III
- Tradito, schernito,
Italian aria sung by Ferrando (tenor) in Act II, Scene II
- Tutti accusan le donne,
Italian aria sung by Don Alfonso (bass) in Act II, Scene III
- Un aura amorosa,
Italian aria sung by Ferrando (tenor) in Act I, Scene III
- Una donna a quindici anni,
Italian aria sung by Despina (soprano) in Act II, Scene I
- Vorrei dir, e cor non ho,
Italian aria sung by Don Alfonso (bass) in Act I, Scene II
- É amore un ladroncello,
Italian aria sung by Dorabella (mezzo-soprano|soprano) in Act II, Scene III
Daphne by Richard Strauss
Das Liebesverbot by Richard Wagner
- Ach, könnt'ich nur ein wenig richten,
German aria sung by Brighella (bass) in Act I, Scene 3
- Du kennest jenen stillen Ort (O, eile, Freund),
German aria sung by Claudio (tenor) in Act I, Scene 1
- Ha welch' ein Tod,
German aria sung by Claudio (tenor) in Act II, Scene 1
- Ihr junges Volk macht euch heran,
German aria sung by Luzio (tenor) in Act II, Scene 3
- Kennst du das Leid…O war dein Herz,
German aria sung by Isabella (soprano) in Act I, Scene 3
- So spät un noch kein Brief von Isabella…Ja glühend, wie des Südens Hauch,
German aria sung by Friedrich (bass) in Act II, Scene 2
- Welch' wunderbar Erwarten,
German aria sung by Mariana (soprano) in Act II, Scene 3
Das Rheingold by Richard Wagner
Der Fliegende Holländer by Richard Wagner
Der Freischütz by Carl Maria von Weber
- Einst träumte meiner sel'gen Base,
German aria sung by Ännchen (soprano) in Act III
- Hier im ird 'schen Jammerthal,
German aria sung by Caspar (bass) in Act I
- Kommt ein schlanker Bursch gegangen,
German aria sung by Ännchen (soprano) in Act II, Scene 1
- Nein! länger trag’ ich nicht…Durch die Wälder, durch die Auen,
German aria sung by Max (tenor) in Act I
- Schweig', schweig'! damit dich Niemand warnt,
German aria sung by Caspar (bass) in Act I
- Trübe Augen, Liebchen,
German aria sung by Ännchen (soprano) in Act III
- Und ob die Wolke sie verhülle,
German aria sung by Agathe (soprano) in Act III
- Wie nahte mir der Schlummer…Leise, leise, fromme Weise,
German aria sung by Agathe (soprano) in Act II, Scene 1
Der Rosenkavalier by Richard Strauss
- Da geht er hin, German aria sung by The Marschallin (soprano) in Act I
- Di rigori armato,
Italian aria sung by An Italian Tenor (tenor) in Act I
- Heut oder Morgen, German aria sung by The Marschallin (soprano) in Act I
- Wie Du warst!,
German aria sung by Count Octavian Rofrano (mezzo-soprano) in Act I
Der Schauspieldirektor by Wolfgang Amadeus Mozart
Dido and Aeneas by Henry Purcell
- Ah Belinda!,
English aria sung by Dido (soprano|mezzo-soprano) in Act I
- Come away, fellow sailors,
English aria sung by A sailor (tenor) in Act III
- Dido's Lament (When I am laid),
English aria sung by Dido (soprano|mezzo-soprano) in Act III
- Haste, haste to town,
English aria sung by Belinda (soprano) in Act II
- Oft she visits this lov'd moutain,
English aria sung by Dido's attendant (soprano) in Act II
- Our next motion,
English aria sung by The Sorceress (mezzo-soprano) in Act III
- Pursue thy conquest, love,
English aria sung by Belinda (soprano) in Act I
- Shake the cloud from off your brow,
English aria sung by Belinda (soprano) in Act I
- Thanks to these lonesome vales,
English aria sung by Belinda (soprano) in Act II
Die Entführung aus dem Serail by Wolfgang Amadeus Mozart
- Ach ich liebte,
German aria sung by Konstanze (soprano) in Act I
- Durch Zärtlichkeit und Schmeicheln,
German aria sung by Blondchen (soprano) in Act II
- Frisch zum Kampfe,
German aria sung by Pedrillo (tenor) in Act II
- Hier soll ich dich denn sehen,
German aria sung by Belmonte (tenor) in Act I
- Ich baue ganz auf deine Stärke,
German aria sung by Belmonte (tenor) in Act III, Scene I
- In Mohrenland gefangen war ein Mädel,
German aria sung by Pedrillo (tenor) in Act III, Scene I
- Konstanze, Konstanze...O wie ängstlich,
German aria sung by Belmonte (tenor) in Act I
- Martern aller Arten,
German aria sung by Konstanze (soprano) in Act II
- O wie will ich triumphieren,
German aria sung by Osmin (bass) in Act I, Scene I
- Solche hergelaufne Laffen,
German aria sung by Osmin (bass) in Act I
- Welche Wonne, welche Lust,
German aria sung by Blondchen (soprano) in Act II
- Welcher Wechsel herrscht...Traurigkeit ward mir zum Loose,
German aria sung by Konstanze (soprano) in Act II
- Wenn der Freude Tränen fliessen,
German aria sung by Belmonte (tenor) in Act II
- Wer ein Liebchen hat gefunden,
German aria sung by Osmin (bass) in Act I
Die Feen by Richard Wagner
- Ich seh' den Himmel,
German aria sung by Arindal (tenor) in Act III, Scene 1
- O ihr, des Busens Hochgefühle,
German aria sung by Arindal (tenor) in Act III, Scene 2
- O musst du Hoffnung schwinden,
German aria sung by Lora (soprano) in Act II
- War einst 'ne böse Hexe wol,
German aria sung by Gernot (bass) in Act I, Scene 2
- Weh' mir, so nah' die fürchterliche Stunde…Ich häufe selbst die Schrecken an,
German aria sung by Ada (soprano) in Act II
- Wie muss ich doch beklagen,
German aria sung by Ada (soprano) in Act I, Scene 3
- Wo find ich Dich,
German aria sung by Arindal (tenor) in Act I, Scene 2
Die Fledermaus by Johann Strauss
- Da schreibt meine Schwester,
German aria sung by Adele (soprano) in Act I
- Ich lade gern mir Gäste ein,
German aria sung by Prince Orlofsky (mezzo-soprano) in Act II
- Klänge der Heimat,
German aria sung by Rosalinda (soprano) in Act II
- Mein Herr Marquis, ein Mann wie Sie,
German aria sung by Adele (soprano) in Act II
- Mein Herr, was dächten Sie von mir,
German aria sung by Rosalinda (soprano) in Act I
- Spiel ich die Unschuld vom Lande,
German aria sung by Adele (soprano) in Act III
- Trinke, Liebchen, trinke schnell,
German aria sung by Alfred (tenor) in Act I
Die Götterdämmerung by Richard Wagner
- Brünnhild' die hehrste frau,
German aria sung by Gunther (bass) in Act II, Scene 4
- Brünnhilde, heilige Braut,
German aria sung by Siegfried (tenor) in Act III, Scene 2
- Fliegt heim, ihr Raben,
German aria sung by Brünnhilde (soprano) in Act III, Scene 3
- Mime hiess ein mürrischer Zwerg,
German aria sung by Siegfried (tenor) in Act III, Scene 2
- Starke Scheite schichten mir dort,
German aria sung by Brünnhilde (soprano) in Act III, Scene 3
Die Lustige Witwe by Franz Lehár
Die Meistersinger von Nürnberg by Richard Wagner
- Am stillen Herd in Winterszeit,
German aria sung by Walter von Stolzing (tenor) in Act I, Scene 2
- Beckmesser's Serenade (Den Tag seh'ich erscheinen),
German aria sung by Sixtus Beckmesser (baritone) in Act II
- Ein jedes Meistergesanges Bar,
German aria sung by Fritz Kothner (bass) in Act I, Scene 2
- O Sachs! Mein Freund,
German aria sung by Eva (soprano) in Act III, Scene 1
- Pogner's Address (Nun hört, und versteht mich recht!),
German aria sung by Veit Pogner (bass) in Act I, Scene 2
- Schumacherei und Poeterei,
German aria sung by David (tenor) in Act I, Scene 2
- Schusterlied (Jerum! Jerum! Hallahallohe!),
German aria sung by Hans Sachs (baritone) in Act II
- So rief der Lenz in den Wald,
German aria sung by Walter von Stolzing (tenor) in Act I, Scene 2
- Verachtet mir die Meister nicht,
German aria sung by Hans Sachs (baritone) in Act III, Scene 2
- Wahn! Wahn! Uberall Wahn!,
German aria sung by Hans Sachs (baritone) in Act III, Scene 1
- Walter's Prize Song (Morgenlich leuchtend im rosigen Schein),
German aria sung by Walter von Stolzing (tenor) in Act III, Scene 2
- Was duftet doch der Flieder,
German aria sung by Hans Sachs (baritone) in Act II
Die Tote Stadt by Erich Korngold
Die Walküre by Richard Wagner
- Der Männer Sippe,
German aria sung by Sieglinde (soprano) in Act I, Scene 3
- Du bist der Lenz,
German aria sung by Sieglinde (soprano) in Act I, Scene 3
- Ein Schwert verhieß mir der Vater,
German aria sung by Siegmund (tenor) in Act I, Scene 3
- Friedmund darf ich nicht heißen,
German aria sung by Siegmund (tenor) in Act I, Scene 2
- Hojotoho!,
German aria sung by Brünnhilde (soprano) in Act II, Scene 1
- Leb' wohl (Wotan's Farewell),
German aria sung by Wotan (bass-baritone) in Act III, Scene 3
- Winterstürme wichen dem Wonnemond (Spring Song),
German aria sung by Siegmund (tenor) in Act I, Scene 3
Die Zauberflöte (The Magic Flute) by Wolfgang Amadeus Mozart
- Ach, ich fühl's, es ist verschwunden,
German aria sung by Pamina (soprano) in Act II, Scene VI
- Alles fühlt der Liebe Freuden,
German aria sung by Monostatos (tenor) in Act II, Scene III
- Der Hölle Rache kocht in meinem Herzen,
German aria sung by The Queen of the Night (soprano) in Act II, Scene III
- Der Vogelfänger bin ich ja,
German aria sung by Papageno (baritone) in Act I, Scene I
- Dies Bildnis ist bezaubernd schön,
German aria sung by Tamino (tenor) in Act I, Scene I
- Ein Mädchen oder Weibchen,
German aria sung by Papageno (baritone) in Act II, Scene V
- In diesen heil'gen Hallen,
German aria sung by Sarastro (bass) in Act II, Scene III
- O Isis und Osiris,
German aria sung by Sarastro (bass) in Act II, Scene I
- O wenn ich doch,
German aria sung by Tamino (tenor) in Act I, Scene III
- O zitt're nicht...Zum Leiden bin ich auserkoren,
German aria sung by The Queen of the Night (soprano) in Act I, Scene I
Don Carlos by Giuseppe Verdi
- Ah, je meurs, l'âme joyeuse (Io morrò, ma lieto in core),
Italian|French aria sung by Rodrigo (baritone) in Act IV (Act III in four-act version), Scene 2
- Au palais des fées (Nei giardin del bello),
Italian|French aria sung by Princess Eboli (mezzo-soprano) in Act II (Act I in four-act version), Scene 2
- C'est mon jour suprème (Per me giunto è il di supreme),
Italian|French aria sung by Rodrigo (baritone) in Act IV (Act III in four-act version), Scene 2
- De quels transports poignants et doux (Di quale amor, di quanto ardor), Italian|French aria sung by Elisabeth of Valois (soprano) in Act I
- Elle ne m'aime pas (Ella giammai m'amò),
Italian|French aria sung by Philip II (bass) in Act IV (Act III in four-act version), Scene 1
- J'ai la perdue!(Io l' ho perduta!),
Italian|French aria sung by Don Carlos (tenor) in Act I (Act II in the 5 act version)
- Je l'ai vue, et dans son sourire (Io la vidi, al suo sorriso),
Italian|French aria sung by Don Carlos (tenor) in Act I
- L'Infant Carlos, notre espérance (Carlo ch'è sol il nostro amore),
Italian|French aria sung by Rodrigo (baritone) in Act II (Act I in four-act version), Scene 2
- O don fatale (O don fatal),
Italian|French aria sung by Princess Eboli (mezzo-soprano) in Act IV (Act III in four-act version), Scene 1
- Oh ma chère compagne (Non pianger, mia compagna),
Italian|French aria sung by Elisabeth of Valois (soprano) in Act II (Act I in four-act version), Scene 2
- Toi qui sus le néant (Tu che le vanità conosce),
Italian|French aria sung by Elisabeth of Valois (soprano) in Act V (Act IV in the four-act version)
Don Giovanni by Wolfgang Amadeus Mozart
- Ah! chi mi dice mai,
Italian aria sung by Donna Elvira (soprano) in Act I, Scene II
- Ah, fuggi il traditor,
Italian aria sung by Donna Elvira (soprano) in Act I, Scene III
- Ah, pieta! Signori miei!,
Italian aria sung by Leporello (bass) in Act II, Scene II
- Batti, batti, o bel Masetto,
Italian aria sung by Zerlina (soprano) in Act I, Scene V
- Dalla sua pace,
Italian aria sung by Don Ottavio (tenor) in Act I, Scene IV
- Deh, vieni alla finestra,
Italian aria sung by Don Giovanni (baritone) in Act II, Scene I
- Don Ottavio...Or sai chi l'onore,
Italian aria sung by Donna Anna (soprano) in Act I, Scene IV
- Fin ch'han dal vino,
Italian aria sung by Don Giovanni (baritone) in Act I, Scene V
- Ho capito, signor, si,
Italian aria sung by Masetto (baritone) in Act I, Scene III
- Il mio tesoro,
Italian aria sung by Don Ottavio (tenor) in Act II, Scene II
- In quali...Mi tradi quell'alma ingrata,
Italian aria sung by Donna Elvira (soprano) in Act II, Scene III
- Madamina, il catalogo è questo,
Italian aria sung by Leporello (bass) in Act I, Scene II
- Meta di voi qua vadano,
Italian aria sung by Don Giovanni (baritone) in Act II, Scene I
- Notte e giorno faticar,
Italian aria sung by Leporello (bass) in Act I, Scene I
- Troppo mi...Non mi dir,
Italian aria sung by Donna Anna (soprano) in Act II, Scene V
- Vedrai, carino,
Italian aria sung by Zerlina (soprano) in Act II, Scene I
Don Pasquale by Gaetano Donizetti
- Ah, un foco insolita,
Italian aria sung by Don Pasquale (bass) in Act I, Scene 1
- Bella siccome un angelo,
Italian aria sung by Doctor Malatesta (baritone) in Act I, Scene 1
- Cercherò lontana terra,
Italian aria sung by Ernesto (tenor) in Act II
- Com'è gentil,
Italian aria sung by Ernesto (tenor) in Act III
- La morale in tutto questo,
Italian aria sung by Norina (soprano) in Act III
- Quel guardo, il cavaliere...So anch'io la virtù magica,
Italian aria sung by Norina (soprano) in Act I, Scene 2
Edgar by Giacomo Puccini
- Addio, addio mio dolce amor!,
Italian aria sung by Fidelia (soprano) in Act III
- Bella signora il pianto sciupa gli occhi,
Italian aria sung by Edgar (tenor) in Act III
- Già il mandorlo vicino,
Italian aria sung by Fidelia (soprano) in Act I
- Nel villaggio d'Edgar,
Italian aria sung by Fidelia (soprano) in Act III
- O fior del giorno,
italian aria sung by Fidelia (soprano) in Act I
- O lebbra, sozzura del mondo,
Italian aria sung by Edgar (tenor) in Act III
- O soave visïon,
Italian aria sung by Edgar (tenor) in Act II
- Questo amor, vergogna mia,
Italian aria sung by Frank (baritone) in Act I
- Tu il cuor mi strazi,
Italian aria sung by Tigrana (mezzo-soprano) in Act I
Elektra by Richard Strauss
Ernani by Giuseppe Verdi
- Come rugiada al cespite,
Italian aria sung by Ernani (tenor) in Act I, Scene 1
- Ernani, Ernani involami,
Italian aria sung by Elvira (soprano) in Act I, Scene 2
- Infelice!..e tuo credevi,
Italian aria sung by Don Ruy Gomez de Silva (bass) in Act I, Scene 2
- Lo vedremo, veglio audace,
Italian aria sung by Don Carlo (baritone) in Act II
- O sommo Carlo,
Italian aria sung by Don Carlo (baritone) in Act III
- O tu che l'alma adora,
Italian aria sung by Ernani (tenor) in Act I, Scene 1
- Odi il voto o grande Iddio, Italian aria sung by Ernani (tenor) in Act II
- Oh de'verd'anni miei,
Italian aria sung by Don Carlo (baritone) in Act III
- Sprezzo la vita ne più m'alletta, Italian aria sung by Ernani (tenor) in Act II
- Tutto sprezzo che d'Ernani,
Italian aria sung by Elvira (soprano) in Act I, Scene 2
- Vieni meco, soldi rose,
Italian aria sung by Don Carlo (baritone) in Act II
Eugene Onegin by Peter Illyich Tchaikovsky
- Lensky's Aria (Kuda, kuda vï udalilis),
Russian aria sung by Lensky (tenor) in Act II, Scene 2
- Lensky's Arioso (Ja lyublyu vas), Russian aria sung by Lensky (tenor) in Act I, Scene 1
- Olga's Aria (Ja nye sposobna k grusti tomnoy), Russian aria sung by Olga (contralto) in Act I, Scene 1
- Onegin's Aria (Kogda bï zhizn domashnim krugom),
Russian aria sung by Eugene Onegin (baritone) in Act I, Scene 3
- Onegin's Arioso (Uzhel ta samaja Tatiana), Russian aria sung by Eugene Onegin (baritone) in Act III, Scene 1
- Prince Gremin's Aria (Lyubvi fse vozrastï pokornï),
Russian aria sung by Prince Gremin (bass) in Act III, Scene 1
- Tatiana's Letter Scene (Ruskai pogibnu), Russian aria sung by Tatiana (soprano) in Act I, Scene 2
- Triquet's Song (Kakoi pre krasnïi etot den), Russian aria sung by Monsieur Triquet (tenor) in Act II, Scene 1
Falstaff by Giuseppe Verdi
- Dal labbro il canto estasiato vola,
Italian aria sung by Fenton (tenor) in Act III, Scene 2
- L'onore! Ladri!,
Italian aria sung by Sir John Falstaff (baritone) in Act I, Scene 1
- Quand'ero paggio del Duca di Norfolk,
Italian aria sung by Sir John Falstaff (baritone) in Act II, Scene 2
- Sul fil d'un soffio etesio,
Italian aria sung by Nannetta (soprano) in Act III, Scene 2
- Va, vecchio John,
Italian aria sung by Sir John Falstaff (baritone) in Act II, Scene 1
- È sogno? o realtà,
Italian aria sung by Ford (baritone) in Act II, Scene 1
Faust by Charles-François Gounod
- Avant de quitter ces lieux,
French aria sung by Valentin (baritone) in Act II
- Faites-lui mes âveux,
French aria sung by Siebel (mezzo-soprano) in Act III
- Je voudrais bien savoir...Il était un Roi de Thulé,
French aria sung by Marguerite (soprano) in Act III
- Salut! demeure chaste et pure,
French aria sung by Faust (tenor) in Act III
- Si le bonheur a sourire t'invite,
French aria sung by Siebel (mezzo-soprano) in Act IV, Scene 1
- Song of the Golden Calf ("Le veau d'or est toujours debout!"),
French aria sung by Mèphistophélès (bass) in Act II
- The Jewel Song ("Ah, je ris de me voir"),
French aria sung by Marguerite (soprano) in Act III
- The Spinning Wheel Song ("Elles se cachaient...Il ne revient pas"),
French aria sung by Marguerite (soprano) in Act IV, Scene 1
- Vous qui faites l'endormie,
French aria sung by Mèphistophélès (bass) in Act IV, Scene 3
Fedora by Umberto Giordano
Fidelio by Ludwig van Beethoven
- Abscheulicher! wo eilst du hin?...Komm, Hoffnung, lass den letzten Stern,
German aria sung by Leonora (soprano) in Act I, Scene 6
- Gott! welch' Dunkel hier!,
German aria sung by Florestan (tenor) in Act II, Scene 1
- Ha! welch' ein Augenblick!,
German aria sung by Pizarro (baritone) in Act I, Scene 5
- Hat man nicht auch Gold beineben,
German aria sung by Rocco (bass) in Act I, Scene 4
- O wär' ich schon mit dir vereint,
German aria sung by Marzelline (soprano) in Act I, Scene 2
Gianni Schicchi by Giacomo Puccini
Giovanna d'Arco by Giuseppe Verdi
- Comparire il ciel m'ha stretto,
Italian aria sung by Giacomo (baritone) in Act II
- Franco son io,
Italian aria sung by Giacomo (baritone) in Act I, Scene 1
- O fatidica foresta,
Italian aria sung by Giovanna (soprano) in Act I, Scene 2
- Pondo è letal martirio,
Italian aria sung by Carlo VII (tenor) in Prologue, Scene 1
- Quale al più fido amico,
Italian aria sung by Carlo VII (tenor) in Act III
- Sempre all'alba ed alla sera,
Italian aria sung by Giovanna (soprano) in Prologue, Scene 2
- So che per via dei triboli,
Italian aria sung by Giacomo (baritone) in Act I, Scene 1
- Sotto una quercia parvemi,
Italian aria sung by Carlo VII (tenor) in Prologue, Scene 1
- Speme al vecchio ora una figlia,
Italian aria sung by Giacomo (baritone) in Act II
Giulio Cesare (Julius Caesar) by George Frideric Handel
- Al lampo dell'armi,
Italian aria sung by Giulio Cesare (contralto|baritone) in Act II, Scene 3
- Cara speme, questo core,
Italian aria sung by Sesto (soprano|tenor) in Act I, Scene 2
- Da tempeste il legno infranto,
Italian aria sung by Cleopatra (soprano) in Act III, Scene 3
- Dall'ondo…Aure, deh, per pietà spirate,
Italian aria sung by Giulio Cesare (contralto|baritone) in Act III, Scene 2
- L'angue offeso mai riposa,
Italian aria sung by Sesto (soprano|tenor) in Act II, Scene 2
- L'aure che spira,
Italian aria sung by Sesto (soprano|tenor) in Act II, Scene 4
- La giustizia ha già sull'arco,
Italian aria sung by Sesto (soprano|tenor) in Act III, Scene 2
- Non disperar,
Italian aria sung by Cleopatra (soprano) in Act I, Scene 2
- Non è si vago e bello,
Italian aria sung by Giulio Cesare (contralto|baritone) in Act I, Scene 2
- Piangerò la sorte mia,
Italian aria sung by Cleopatra (soprano) in Act III, Scene 1
- Priva son d'ogni conforto,
Italian aria sung by Cornelia (contralto|mezzo-soprano) in Act I, Scene 1
- Se pietà di me non senti,
Italian aria sung by Cleopatra (soprano) in Act II, Scene 3
- Svegliatevi nel core,
Italian aria sung by Sesto (soprano|tenor) in Act I, Scene 1
- Tu la mia stella sei,
Italian aria sung by Cleopatra (soprano) in Act I, Scene 2
- V'adoro pupille,
Italian aria sung by Cleopatra (soprano) in Act II, Scene 1
- Va tacito e nascosto,
Italian aria sung by Giulio Cesare (contralto|baritone) in Act I, Scene 3
Guillaume Tell by Gioacchino Rossini
H.M.S. Pinafore by Arthur Sullivan
Hamlet by Ambroise Thomas
- Adieu, dit-il, ayez foi!, French aria sung by Ophélie (soprano) in Act II, Scene 1
- Comme une pâle fleur,
French aria sung by Hamlet (baritone) in Act V
- Dans son regard plus sombre,
French aria sung by Gertrude (mezzo-soprano) in Act II, Scene 1
- J'ai pu frapper,
French aria sung by Hamlet (baritone) in Act III
- Je t'implore, ô mon frère,
French aria sung by Claudius (bass) in Act III
- Partagez-vous mes fleurs,
French aria sung by Ophélie (soprano) in Act IV
- Pour mon pays en serviteur fide,
French aria sung by Laerte (tenor) in Act I, Scene 1
- Pâle et blonde,
French aria sung by Ophélie (soprano) in Act IV
- Spectre infernal!,
French aria sung by Hamlet (baritone) in Act I, Scene 2
- Ò vin dissipe la tristesse,
French aria sung by Hamlet (baritone) in Act II, Scene 1
Hänsel und Gretel by Englebert Humperdinck
- Ach, wir armen Leute!,
German aria sung by Peter (baritone) in Act I
- Der kleine Sandmann bin ich,
German aria sung by The Sandman (Sandmännchen) (soprano) in Act II
- Der kleine Taumann heiss'ich,
German aria sung by The Dewman (Taumännchen) (soprano) in Act III, Scene 1
- Ein Männlein steht im Walde,
German aria sung by Gretel (soprano) in Act II
- Eine Hexsteinalt,
German aria sung by Peter (baritone) in Act I
- Hurr, hopp, hurr, hopp (Hexenlied),
German aria sung by The Witch (die Hexe) (mezzo-soprano|contralto) in Act III, Scene 1
- Wartet, hir ungezogenen Wichte!,
German aria sung by Gertrude (mezzo-soprano) in Act I
Hérodiade by Jules Massenet
- Adieu donc, vains objets,
French aria sung by Jean (tenor) in Act IV
- Astres étincelants,
French aria sung by Phanuel (bass) in Act III, Scene 1
- Charme des jours passés,
French aria sung by Salomé (soprano) in Act III, Scene 2
- Hérode! Ne me refuse pas,
French aria sung by Hérodiade (mezzo-soprano) in Act I
- Il est doux, il est bon,
French aria sung by Salomé (soprano) in Act I
- Salomé! Demande au prisonnier,
French aria sung by Hérode (baritone) in Act III, Scene 2
- Vision fugitive,
French aria sung by Hérode (baritone) in Act II, Scene 1
I Capuleti ed i Montecchi by Vincenzo Bellini
I Due Foscari by Giuseppe Verdi
- All'infelice veglio,
Italian aria sung by Jacopo Foscari (tenor) in Act III, Scene 1
- Dal più remoto esilio,
Italian aria sung by Jacopo Foscari (tenor) in Act I, Scene 1
- La clemenza! s'aggiunge lo scherno,
Italian aria sung by Lucrezia Contarini (soprano) in Act I, Scene 2
- Non maledirmi o prode,
Italian aria sung by Jacopo Foscari (tenor) in Act II, Scene 1
- O padre, figli, sposa,
Italian aria sung by Jacopo Foscari (tenor) in Act III, Scene 1
- O vecchio cor che batte,
Italian aria sung by Francesco Foscari (baritone) in Act I, Scene 4
- Odio solo ed odio atroce,
Italian aria sung by Jacopo Foscari (tenor) in Act I, Scene 1
- Più non vive..l'innocente,
Italian aria sung by Lucrezia Contarini (soprano) in Act III, Scene 2
- Quel bronzo feral,
Italian aria sung by Francesco Foscari (baritone) in Act III, Scene 2
- Questa dunque è l'iniqua mercede,
Italian aria sung by Francesco Foscari (baritone) in Act III, Scene 2
- Sento Iddio che mi chiama, Italian aria sung by Jacopo Foscari (tenor) in Act I, Scene 1
- Tu al cui sguardi onni possente,
Italian aria sung by Lucrezia Contarini (soprano) in Act I, Scene 2
I Lombardi alla Prima Crociata by Giuseppe Verdi
- In cielo benedetto,
Italian aria sung by Oronte (tenor) in Part IV : The Holy Sepulchre, Scene I
- La mia letizia infondere...Come poteva un angelo,
Italian aria sung by Oronte (tenor) in Part II : The Man of the Cave, Scene I
- Ma quando un suon terrible,
Italian aria sung by Pagano (bass) in Part II : The Man of the Cave, Scene II
- Non fu sogno,
Italian aria sung by Giselda (soprano) in Part IV : The Holy Sepulchre, Scene I
- Salve Maria,
Italian aria sung by Giselda (soprano) in Part I : The Vendetta, Scene 2
- Sciagurata, ed hai creduto...O speranza di vendetta,
Italian aria sung by Pagano (bass) in Part I : The Vendetta, Scene 1
- Se vano è il pregare...No giusta causa non è d'Iddio,
Italian aria sung by Giselda (soprano) in Part II : The Man of the Cave, Scene III
I Masnadieri by Giuseppe Verdi
- Carlo vive? O caro accento,
Italian aria sung by Amalia (soprano) in Act II, Scene 1
- Di ladroni attorniato,
Italian aria sung by Carlo (tenor) in Act II, Scene 2
- La sua lampada vitale,
Italian aria sung by Francesco (baritone) in Act I, Scene 2
- Lo sguardo avea degli angeli,
Italian aria sung by Amalia (soprano) in Act I, Scene 3
- Nell'argilla maledetta,
Italian aria sung by Carlo (tenor) in Act I, Scene 1
- O mio castel paterno,
Italian aria sung by Carlo (tenor) in Act I, Scene 1
- Pareami che sorto da lanto convito,
Italian aria sung by Francesco (baritone) in Act IV, Scene 1
- Tremate, o miseri,
Italian aria sung by Francesco (baritone) in Act I, Scene 2
- Tu del mio Carlo al seno,
Italian aria sung by Amalia (soprano) in Act II, Scene 1
- Un ignoto tre lune or saranno,
Italian aria sung by Massimiliano (bass) in Act III, Scene 2
I Pagliacci by Ruggiero Leoncavallo
I Puritani by Vincenzo Bellini
- A te, o cara, amor talora,
Italian aria sung by Lord Arturo Talbot (tenor) in Act I, Scene 3
- Ah!, per sempre...Bel sogno beato,
Italian aria sung by Sir Riccardo Forth (baritone) in Act I, Scene 1
- Cinta di fiori,
Italian aria sung by Sir Giorgio Walton (bass) in Act II
- Credeasi, misera,
Italian aria sung by Lord Arturo Talbot (tenor) in Act III
- Ferma! Invan, invan rapir pretendi,
Italian aria sung by Sir Riccardo Forth (baritone) in Act I, Scene 3
- Qui la voce...Vien, diletto,
Italian aria sung by Elvira Walton (soprano) in Act II
- Son salvo...La mia canzon d'amore…Ad altro lato,
Italian aria sung by Lord Arturo Talbot (tenor) in Act III
- Son vergin vezzosa,
Italian aria sung by Elvira Walton (soprano) in Act I, Scene 3
- Sprezzo, audace, il tuo furore,
Italian aria sung by Lord Arturo Talbot (tenor) in Act I, Scene 3
- Vieni, vieni fra questa braccia,
Italian aria sung by Lord Arturo Talbot (tenor) in Act III
Idomeneo by Wolfgang Amadeus Mozart
- D'Oreste, d'Ajace, Italian aria sung by Electra (soprano) in Act III
- Fuor del mar,
Italian aria sung by Idomeneo (tenor) in Act II
- Idol mio,
Italian aria sung by Electra (soprano) in Act II
- Il padre adorato,
Italian aria sung by Idamantes (soprano) in Act I
- No, la morte, Italian aria sung by Idamantes (soprano) in Act III
- Non ho colpa,
Italian aria sung by Idamantes (soprano) in Act I
- Padre, germani, addio,
Italian aria sung by Ilia (soprano) in Act I
- Se colá ne' fati è scritto,
Italian aria sung by Arbaces (tenor) in Act III
- Se il padre perdei,
Italian aria sung by Ilia (soprano) in Act II
- Se il tuo duol,
Italian aria sung by Arbaces (tenor) in Act II
- Torna la pace, Italian aria sung by Idomeneo (tenor) in Act III
- Tutte nel cor vi sento,
Italian aria sung by Electra (soprano) in Act I
- Vedrommi intorno,
Italian aria sung by Idomeneo (tenor) in Act I
- Zeffiretti lusinghieri,
Italian aria sung by Ilia (soprano) in Act III
Il Barbiere di Siviglia (The Barber of Seville) by Gioacchino Rossini
- A un dottor dell mia sorte,
Italian aria sung by Doctor Bartolo (bass-baritone) in Act I, Scene II
- Ah, il più lieto,
Italian aria sung by Count Almaviva (tenor) in Act II
- Ecco ridente in cielo,
Italian aria sung by Count Almaviva (tenor) in Act I, Scene I
- Il vecchiotto cerca moglie,
Italian aria sung by Berta (mezzo-soprano) in Act II
- La Calunnia,
Italian aria sung by Don Basilio (bass) in Act I, Scene II
- Largo al factotum,
Italian aria sung by Figaro (baritone) in Act I, Scene I
- Se il mio nome saper voi bramate,
Italian aria sung by Count Almaviva (tenor) in Act I, Scene I
- Una voce poco fa,
Italian aria sung by Rosina (soprano|mezzo-soprano) in Act I, Scene II
Il Corsaro by Giuseppe Verdi
- Ah conforto è sol la speme,
Italian aria sung by Gulnara (soprano) in Act II, Scene 1
- Cento leggiadre vergini,
Italian aria sung by Seid (baritone) in Act III, Scene 1
- Non so le tetre immagini,
Italian aria sung by Medora (soprano) in Act I, Scene 2
- S'avvincina il tuo momento,
Italian aria sung by Seid (baritone) in Act III, Scene 1
- Salve, Allah! tutta quanta,
Italian aria sung by Seid (baritone) in Act II, Scene 2
- Sì, di Corsari il fulmine,
Italian aria sung by Corrado (tenor) in Act I, Scene 1
- Tutto parea sorridere,
Italian aria sung by Corrado (tenor) in Act I, Scene 1
- Vola talor dal carcere,
Italian aria sung by Gulnara (soprano) in Act II, Scene 1
Il Rè Pastore by Wolfgang Amadeus Mozart
- Aer tranquillo, Italian aria sung by Amintas (soprano) in Act I
- Alla selva, Italian aria sung by Elisa (soprano) in Act I
- Barbaro, oh Dio!, Italian aria sung by Elisa (soprano) in Act II
- Di tante sue procelle, Italian aria sung by Tamyris (soprano) in Act I
- Intendo, amico rio, Italian aria sung by Amintas (soprano) in Act I
- L'amerò,
Italian aria sung by Amintas (soprano) in Act II
- Per me rispondete, Italian aria sung by Agenor (tenor) in Act I
- Se tu di me fai dono, Italian aria sung by Tamyris (soprano) in Act II
- Se vicendo, Italian aria sung by Alexander (tenor) in Act II
- Si spande il sole, Italian aria sung by Alexander (tenor) in Act I
- Sol può dir, Italian aria sung by Agenor (tenor) in Act II
- Voi che fausti, Italian aria sung by Alexander (tenor) in Act II
Il Sogno di Scipione (The Dream of Scipione) by Wolfgang Amadeus Mozart
- A chi serena io giro, Italian aria sung by La Fortuna (soprano)
- Ah perche cercar degg'io, Italian aria sung by Soloist (soprano)
- Biancheggia in mar, Italian aria sung by La Constanza (soprano)
- Ciglio che al sol si gira, Italian aria sung by La Constanza (soprano)
- Di che sei l'arbitra, Italian aria sung by Scipione (tenor)
- Lieve sono al par del vento, Italian aria sung by La Fortuna (soprano)
- Quercia annosa, Italian aria sung by Publio (tenor)
- Risolver non osa, Italian aria sung by Scipione (tenor)
- Se vuoi che te reccolgano, Italian aria sung by Publio (tenor)
- Voi vollagiù ridete, Italian aria sung by Emilio (tenor)
Il Tabarro by Giacomo Puccini
Il Trovatore by Giuseppe Verdi
- Ah, sì ben mio,
Italian aria sung by Manrico (tenor) in Act III - The Gypsy's Son, Scene 2
- Condotta ell'era in ceppi,
Italian aria sung by Azucena (mezzo-soprano) in Act II - The Gypsy, Scene 1
- D'amor sull'ali rosee,
Italian aria sung by Leonora (soprano) in Act IV - The Torture, Scene 1
- Deserto sulla terra,
Italian aria sung by Manrico (tenor) in Act I - The Duel, Scene 2
- Di due figli vivea,
Italian aria sung by Ferrando (bass) in Act I - The Duel, Scene 1
- Di quella pira,
Italian aria sung by Manrico (tenor) in Act III - The Gypsy's Son, Scene 2
- Di tale amor che dirsi,
Italian aria sung by Leonora (soprano) in Act I - The Duel, Scene 2
- Il balen del suo sorriso,
Italian aria sung by Il Conte di Luna (baritone) in Act II - The Gypsy, Scene 2
- Per me ora fatale,
Italian aria sung by Il Conte di Luna (baritone) in Act II - The Gypsy, Scene 2
- Stride la vampa!,
Italian aria sung by Azucena (mezzo-soprano) in Act II - The Gypsy, Scene 1
- Tacea la notte,
Italian aria sung by Leonora (soprano) in Act I - The Duel, Scene 2
- Tu vedrai che amore in terra,
Italian aria sung by Leonora (soprano) in Act IV - The Torture, Scene 1
Jérusalem by Giuseppe Verdi
- Ah viens démon, esprit du mal, French aria sung by Roger (bass) in Act I
- Je veux encore entendre, French aria sung by Gaston (tenor) in Act II, Scene 2
- Mes plaintes mes plaintes sont vaines, French aria sung by Hélène (soprano) in Act III, Scene 1
- Non, non votre rage, French aria sung by Hélène (soprano) in Act III, Scene 1
- Oh dans l'ombre, dans la mystère, French aria sung by Roger (bass) in Act I
- Quell'ivresse, bonheur suprême, French aria sung by Hélène (soprano) in Act II, Scene 1
- Ô jour fatal, ô crime, French aria sung by Roger (bass) in Act II, Scene 1
- Ô mes amis, mes frères d'armes, French aria sung by Gaston (tenor) in Act III, Scene 2
L'Amico Fritz by Pietro Mascagni
L'Arlesiana by Francesco Cilèa
L'Elisir d'Amore by Gaetano Donizetti
- Come Paride vezzoso,
Italian aria sung by Belcore (baritone) in Act I, Scene 1
- Della crudele Isotta,
Italian aria sung by Adina (soprano) in Act I, Scene 1
- Prendi, per me sei libero,
Italian aria sung by Adina (soprano) in Act II, Scene 2
- Quanto è bella, quanto è cara,
Italian aria sung by Nemorino (tenor) in Act I, Scene 1
- Udite, udite, o rustici,
Italian aria sung by Doctor Dulcamara (bass) in Act I, Scene 2
- Una furtiva lagrima,
Italian aria sung by Nemorino (tenor) in Act II, Scene 2
L'Italiana in Algeri by Gioacchino Rossini
- Ah come il cor di giubilo,
Italian aria sung by Lindoro (tenor) in Act II, Scene 1
- Amici, in ogni evento…Pensa alla patria,
Italian aria sung by Isabella (contralto) in Act II, Scene 3
- Cruda sorte,
Italian aria sung by Isabella (contralto) in Act I, Scene 2
- Già d'insolito ardore,
Italian aria sung by Mustafa (bass) in Act I, Scene 3
- Ho un gran peso,
Italian aria sung by Taddeo (bass) in Act II, Scene 1
- Languir per una bella,
Italian aria sung by Lindoro (tenor) in Act I, Scene 1
- Le femmine d'Italia,
Italian aria sung by Ali (bass) in Act II, Scene 3
- Per lui che adoro,
Italian aria sung by Isabella (contralto) in Act II, Scene 2
L'Oca del Cairo by Wolfgang Amadeus Mozart
La Battaglia di Legnano by Giuseppe Verdi
- A frenarti o cor nel petto,
Italian aria sung by Lida (soprano) in Act I, Scene 2
- Ah m'abbraccia d'esultanza,
Italian aria sung by Rolando (baritone) in Act I, Scene 1
- Ah scellerate alme d'inferno,
Italian aria sung by Rolando (baritone) in Act III, Scene 2
- Ah se di Arrigo e Rolando,
Italian aria sung by Lida (soprano) in Act IV
- La pia materna mano,
Italian aria sung by Arrigo (tenor) in Act I, Scene 1
- Quante volte come un dono,
Italian aria sung by Lida (soprano) in Act I, Scene 2
- Se al nuovo dì pugnando,
Italian aria sung by Rolando (baritone) in Act III, Scene 2
La Bohème by Giacomo Puccini
La Calisto by Francesco Cavalli
- Amara servitù,
Italian aria sung by Diana (mezzo-soprano) in Act I
- Ammirabili forme,
Italian aria sung by Diana (mezzo-soprano) in Act II, Scene 1
- Ardo, sospiro, e pianto,
Italian aria sung by Diana (mezzo-soprano) in Act I
- Cor mio, che vuoi tu?,
Italian aria sung by Endimione (counter-tenor) in Act II, Scene 2
- Dalle gelose mie,
Italian aria sung by Giunone (soprano) in Act II, Scene 2
- L'huomo è una dolce, dolce cosa,
Italian aria sung by Linfea (tenor) in Act I
- Lucidissima face,
Italian aria sung by Endimione (counter-tenor) in Act II, Scene 1
- Mogli mie sconsolate,
Italian aria sung by Giunone (soprano) in Act II, Scene 3
- Oh, come pochi sorsi,
Italian aria sung by Calisto (soprano) in Act I
- Va pur, va pur, va seco,
Italian aria sung by Mercurio (baritone) in Act I
La Cenerentola by Gioacchino Rossini
- Come un'ape ne'giorni d'aprile,
Italian aria sung by Dandini (bass|baritone) in Act I, Scene 1
- Intendente..reggitor?,
Italian aria sung by Don Magnifico (bass-baritone) in Act I, Scene 2 (sometimes performed at the beginning of the second act)
- Là del ciel nell'arcano profondo,
Italian aria sung by Alidoro (bass) in Act I, Scene 1
- Miei rampolli femminini,
Italian aria sung by Don Magnifico (bass-baritone) in Act I, Scene 1
- Nacqui all'affanno, al pianto,
Italian aria sung by Angelina (Cenerentola) (contralto) in Act II, Scene 3
- Si, ritrovarla io giuro,
Italian aria sung by Don Ramiro (tenor) in Act II, Scene 1
- Sia qualunque delle figlie,
Italian aria sung by Don Magnifico (bass-baritone) in Act II, Scene 1
- Una volta c'era un re,
Italian aria sung by Angelina (Cenerentola) (contralto) in Act II, Scene 2
- Vasto teatro è il mondo,
Italian aria sung by Alidoro (bass) in Act I, Scene 1
La Clemenza di Tito by Wolfgang Amadeus Mozart
- Ah se fosse,
Italian aria sung by Titus (Tito) (tenor) in Act I
- Deh per questo istante,
Italian aria sung by Sextus (Sesto) (mezzo-soprano) in Act II
- Deh se piacer,
Italian aria sung by Vitellia (soprano) in Act I
- Del più sublime soglio,
Italian aria sung by Titus (Tito) (tenor) in Act I
- Non più di fiori,
Italian aria sung by Vitellia (soprano) in Act II
- Parto, parto,
Italian aria sung by Sextus (Sesto) (mezzo-soprano) in Act I
- S'altro che lagrime,
Italian aria sung by Servilia (soprano) in Act II
- Se all'impero,
Italian aria sung by Titus (Tito) (tenor) in Act II
- Tardi s'avvede,
Italian aria sung by Publius (Publio) (bass) in Act II
- Torna di Tito a lato,
Italian aria sung by Annius (Annio) (soprano) in Act II
- Tu fosti tradito,
Italian aria sung by Annius (Annio) (soprano) in Act II
La Damnation de Faust by Hector Berlioz
- Autrefois un roi de Thulé,
French aria sung by Marguerite (soprano) in Part III
- Certain rate, dans une cuisine,
French aria sung by Brander (bass) in Part II, scene 3
- D'amour, l'ardente flamme,
French aria sung by Marguerite (soprano) in Part IV, scene 1
- Devant la maison,
French aria sung by Méphistophélès (bass-baritone) in Part III
- Merci doux crépuscule,
French aria sung by Faust (tenor) in Part III
- Nature, immense, impénétrable,
French aria sung by Faust (tenor) in Part IV, scene 2
- Une puce gentile,
French aria sung by Méphistophélès (bass-baritone) in Part II, scene 3
- Voici des roses,
French aria sung by Méphistophélès (bass-baritone) in Part II, scene 4
La Fanciulla del West by Giacomo Puccini
La Favorite (La Favorita) by Gaetano Donizetti
- Ange si pur (Spirto gentil),
French|Italian aria sung by Fernand (Ferdinand) (tenor) in Act IV
- Léonore, viens, j'abandonne (Vien Leonora, a piedi tuoi),
French|Italian aria sung by Alphonse XI (Alfonso XI) (baritone) in Act II
- O mon Fernand (O mio Fernando),
French|Italian aria sung by Léonore de Guzman (Leonora di Gusman) (mezzo-soprano) in Act III
- Oui, ta voix m'inspire (Si, che un tuo solo accento),
French|Italian aria sung by Fernand (Ferdinand) (tenor) in Act I, scene 2
- Rayons dorés (Dolce zeffiro, il seconda),
French|Italian aria sung by Inès (Inez) (soprano) in Act I, scene 2
- Un ange, une femme inconnue (Una vergine, un angel di Dio),
French|Italian aria sung by Fernand (Ferdinand) (tenor) in Act I, scene 1
La Fille du Régiment by Gaetano Donizetti
La Finta Giardiniera by Wolfgang Amadeus Mozart
- A forza di martelli, Italian aria sung by Roberto (bass) in Act I
- Ah dal pianto, Italian aria sung by Marchioness Violante Onesti (soprano) in Act II
- Ah non partir...Già divento freddo, Italian aria sung by Count Belfiore (tenor) in Act II
- Appena mi vedon, Italian aria sung by Serpetta (soprano) in Act I
- Care pupille, Italian aria sung by Count Belfiore (tenor) in Act II
- Che beltà, che leggiadria, Italian aria sung by Count Belfiore (tenor) in Act I
- Chi vuol godere il mondo, Italian aria sung by Serpetta (soprano) in Act II
- Con un vezzo all'Italiana, Italian aria sung by Roberto (bass) in Act II
- Crudeli, fermate, Italian aria sung by Marchioness Violante Onesti (soprano) in Act II
- Dentro il mio petto, Italian aria sung by Don Anchises (tenor) in Act I
- Dolce d'amor compagna speranza, Italian aria sung by Ramiro (soprano) in Act II
- Geme la tortorella, Italian aria sung by Marchioness Violante Onesti (soprano) in Act I
- Mio padrone, io dir volevo, Italian aria sung by Don Anchises (tenor) in Act III
- Mirate che constrasto, Italian aria sung by Roberto (bass) in Act III
- Noi donne poverine, Italian aria sung by Marchioness Violante Onesti (soprano) in Act I
- Se l'augellin sen fugge, Italian aria sung by Ramiro (soprano) in Act I
- Se promette facilmente, Italian aria sung by Arminda (soprano) in Act I
- Sirocco a tramontana, Italian aria sung by Count Belfiore (tenor) in Act I
- Un marito, o dio, Italian aria sung by Roberto (bass) in Act I
- Una damina, una nipote, Italian aria sung by Don Anchises (tenor) in Act II
- Una voce sento al core, Italian aria sung by Marchioness Violante Onesti (soprano) in Act II
- Va pure ad altri in braccio, Italian aria sung by Ramiro (soprano) in Act III
- Vorrei punirti indegno, Italian aria sung by Arminda (soprano) in Act II
La Finta Semplice by Wolfgang Amadeus Mozart
- Amoretti che ascosi, Italian aria sung by Rosina (soprano) in Act II
- Che scompiglio, Italian aria sung by Giacinta (mezzo-soprano) in Act III
- Chi mi vuol bene, Italian aria sung by Ninetta (soprano) in Act I
- Colla bocca e non col core, Italian aria sung by Rosina (soprano) in Act I
- Con certe persone, Italian aria sung by Simone (bass) in Act II
- Cosa ha mai la donna indosso, Italian aria sung by Polidoro (tenor) in Act I
- Ella vuole ed io torrei, Italian aria sung by Cassandro (bass) in Act I
- Guarda la donna in viso, Italian aria sung by Fracasso (tenor) in Act I
- Ho sentito a dir di tutte, Italian aria sung by Rosina (soprano) in Act II
- In voi belle è leggiadria, Italian aria sung by Fracasso (tenor) in Act II
- Marito io vorrei, Italian aria sung by Giacinta (mezzo-soprano) in Act I
- Nelle guerre d'amore, Italian aria sung by Fracasso (tenor) in Act III
- Non c'è al mondo, Italian aria sung by Cassandro (bass) in Act I
- Se a maritarmi arrivo, Italian aria sung by Giacinta (mezzo-soprano) in Act II
- Senti l'eco ove t'aggiri, Italian aria sung by Rosina (soprano) in Act I
- Sono in amore, Italian aria sung by Ninetta (soprano) in Act III
- Sposa cara, Italian aria sung by Polidoro (tenor) in Act II
- Troppa briga a prender moglie, Italian aria sung by Simone (bass) in Act I
- Ubriaco non son io, Italian aria sung by Cassandro (bass) in Act II
- Un marito, donne care, Italian aria sung by Ninetta (soprano) in Act II
- Vieni, vieni, o mia Ninetta, Italian aria sung by Simone (bass) in Act III
La Forza del Destino by Giuseppe Verdi
- Al suon del tamburo,
Italian aria sung by Preziosilla (mezzo-soprano) in Act II, Scene 1
- La vita è inferno . . . O tu che in seno agli angeli,
Italian aria sung by Don Alvaro (tenor) in Act III
- Me pellegrina ed orfana,
Italian aria sung by Leonora (soprano) in Act I
- Morir! Tremenda cosa! . . . Urna fatale del mio destino,
Italian aria sung by Don Carlo (baritone) in Act III, Scene 1
- Pace, pace mio Dio!,
Italian aria sung by Leonora (soprano) in Act IV, Scene 2
- Son Pereda son ricco d'onore,
Italian aria sung by Don Carlo (baritone) in Act II, Scene 1
- Sono giunta! . . . Madre, pietosa Vergine,
Italian aria sung by Leonora (soprano) in Act II, Scene 2
La Gioconda by Amilcare Ponchielli
- Ah, pescator affonda l'esca,
Italian aria sung by Barnaba (baritone) in Act II
- Cielo e mar!,
Italian aria sung by Enzo Grimaldo (tenor) in Act II
- O monumento!,
Italian aria sung by Barnaba (baritone) in Act I
- Stella del marinar!,
Italian aria sung by Laura (mezzo-soprano) in Act II
- Suicidio!,
Italian aria sung by La Gioconda (soprano) in Act IV
- Sì, morir ella de'!,
Italian aria sung by Duke Alvise Badoero (bass) in Act III, Scene 1
- Voce di donna,
Italian aria sung by La Cieca (contralto) in Act I
La Juive by Jacques François Fromental Halévy
- Dieu, que ma voix tremblante,
French aria sung by Eléazar (tenor) in Act II
- Il va venir,
French aria sung by Rachel (soprano) in Act II
- Loin de son amie,
French aria sung by Léopold (tenor) in Act I
- Mon doux seigneur et maître,
French aria sung by Eudoxie (soprano) in Act III
- Rachel! quand du Seigneur,
French aria sung by Eléazar (tenor) in Act IV
- Si la rigueur et la vengeance,
French aria sung by Cardinal de Brogni (bass) in Act I
- Tandis qu'il sommeille,
French aria sung by Eudoxie (soprano) in Act III
- Vous, qui du Dieu vivant,
French aria sung by Cardinal de Brogni (bass) in Act III
La Rondine by Giacomo Puccini
La Serva Padrona by Giovanni Pergolesi
La Sonnambula by Vincenzo Bellini
- Ah! non credea mirarti,
Italian aria sung by Amina (soprano) in Act II, Scene 2
- Ah! non giunge uman pensiero,
Italian aria sung by Amina (soprano) in Act II, Scene 2
- Ah! perchè non posso odiarti,
Italian aria sung by Elvino (tenor) in Act II, Scene 1
- Care compagne…Come per me serena,
Italian aria sung by Amina (soprano) in Act I
- De' lieti auguri a voi,
Italian aria sung by Lisa (soprano) in Act II, Scene 2
- Sovra il sen la man mi posa,
Italian aria sung by Amina (soprano) in Act I
- Tu non sai conquei begli occhi,
Italian aria sung by Count Rodolfo (bass) in Act I
- Tutto è gioia, tutto è festa,
Italian aria sung by Lisa (soprano) in Act I
- Vi ravviso, o luoghi ameni,
Italian aria sung by Count Rodolfo (bass) in Act I
La Traviata by Giuseppe Verdi
La Wally by Alfredo Catalani
Lakmé by Leo Delibes
Le Cid by Jules Massenet
- O noble lame étincelante,
French aria sung by Rodrigue (tenor) in Act I, Scene 2
- O souverain, ô juge, ô père,
French aria sung by Rodrigue (tenor) in Act III, Scene 3
- Percé jusques au fond du coeur,
French aria sung by Rodrigue (tenor) in Act II, Scene 1
- Pleurez, pleurez, mes yeux,
French aria sung by Chimène (soprano) in Act III, Scene 1
- Plus de tourments et plue de peine,
French aria sung by L'Infante (soprano) in Act II, Scene 2
Le Coq d'Or (Zolotoy Pyetushok) by Nicolai Rimsky-Korsakov
Le Nozze di Figaro by Wolfgang Amadeus Mozart
- E Susanna non vien!...Dove sono i bei momenti,
Italian aria sung by The Countess Almaviva (soprano) in Act III
- Giunse alfin il momento...Deh vieni, non tardar,
Italian aria sung by Susanna (soprano) in Act IV
- Hai gia vinta la causa...Vedro mentr'io sospiro,
Italian aria sung by Count Almaviva (baritone) in Act III
- Il capro e la capretta,
Italian aria sung by Marcellina (mezzo-soprano) in Act IV
- In quegli anni,
Italian aria sung by Don Basilio (tenor) in Act IV
- L'ho perduta, me meschina,
Italian aria sung by Barbarina (soprano) in Act IV
- La Vendetta,
Italian aria sung by Doctor Bartolo (bass) in Act I
- Non piu andrai,
Italian aria sung by Figaro (bass-baritone) in Act I
- Non so piu cosa son, cosa faccio,
Italian aria sung by Cherubino (mezzo-soprano) in Act I
- Porgi, amor, qualche ristoro,
Italian aria sung by The Countess Almaviva (soprano) in Act II
- Se vuol ballare,
Italian aria sung by Figaro (bass-baritone) in Act I
- Tutto è disposto...Aprite un po'quegli occhi,
Italian aria sung by Figaro (bass-baritone) in Act IV
- Venite, inginocchiatevi,
Italian aria sung by Susanna (soprano) in Act II
- Voi, che sapete,
Italian aria sung by Cherubino (mezzo-soprano) in Act II
Le Rossignol (Solovey) by Igor Stravinsky
Le Villi by Giacomo Puccini
Les Contes d'Hoffmann by Jacques Offenbach
- Allons! Courage et confiance...Ah! vivre deux!,
French aria sung by Hoffmann (tenor) in Act I
- Amis, l'amour tendre et rêveur,
French aria sung by Hoffmann (tenor) in Act II
- C'est l'amour vainqueur,
French aria sung by Nicklausse (mezzo-soprano) in Act III
- Dans les rôles d'amoureux langoureux,
French aria sung by Councillor Lindorf (bass-baritone) in Prologue
- Elle a fui, la tourtelle,
French aria sung by Antonia (soprano) in Act III
- Il ètait une fois à la cour d'Eisenach,
French aria sung by Hoffmann (tenor) in Prologue
- J'ai des yeux,
French aria sung by Coppèlies (bass-baritone) in Act I
- Jour et nuit je me mets en quatre,
French aria sung by Frantz (tenor) in Act III
- O Dieu! de quelle ivresse,
French aria sung by Hoffmann (tenor) in Act II
- Scintille, diamant,
French aria sung by Dapertutto (bass-baritone) in Act II
- The Doll Song ("Les oiseaux dans la charmille"),
French aria sung by Olympia (soprano) in Act I
- Une poupèe aux yeux d'èmail,
French aria sung by Nicklausse (mezzo-soprano) in Act I
- Voyez-la sous son éventail,
French aria sung by Nicklausse (mezzo-soprano) in Act I
Les Huguenots by Giacomo Meyerbeer
Les Pêcheurs de Perles by Georges Bizet
Les Troyens by Hector Berlioz
- Chers Tyriens,
French aria sung by Didon (mezzo-soprano) in Act III (Act I of Les Troyens à Carthage)
- Errante sur les mers,
French aria sung by Didon (mezzo-soprano) in Act III (Act I of Les Troyens à Carthage)
- Inutiles regrets,
French aria sung by Enée (tenor) in Act V, Scene 1 (Act III of Les Troyens à Carthage)
- Je vais mourir,
French aria sung by Didon (mezzo-soprano) in Act V, Scene 2 (Act IV, Scene 1 of Les Troyens à Carthage)
- Les Grecs ont disparu…Malheureux roi!,
French aria sung by Cassandre (soprano) in Act I, Scene 1 (Act I of La Prise de Troie)
- Non, je ne verrai pas,
French aria sung by Cassandre (soprano) in Act I, Scene 2 (Act II of La Prise de Troie)
- O blonde Cérès,
French aria sung by Iopas (tenor) in Act IV (Act II of Les Troyens à Carthage)
- Vallon sonore,
French aria sung by Hylas (tenor) in Act V, Scene 1 (Act III of Les Troyens à Carthage)
Les Vêpres Siciliennes (I Vespri Siciliani) by Giuseppe Verdi
- Au sein de la puissance (In braccio alle dovizie),
French|Italian aria sung by Guy de Montfort (Guido di Monforte) (baritone) in Act III, Scene 1
- Dans l'ombre et la silence (Nell'ombra e nel silenzio),
French|Italian aria sung by Jean Procida (Giovanni da Procida) (bass) in Act II
- Et toi, Palerme (O tu Palermo),
French|Italian aria sung by Jean Procida (Giovanni da Procida) (bass) in Act II
- Le brise souffle au loin (La brezza aleggia intorno),
French|Italian aria sung by Henri (Arrigo) (tenor) in Act V
- Merci, jeunes amies (Mercé, dilette amiche),
French|Italian aria sung by La Duchesse Hélène (La Duchessa Elena) (soprano) in Act V
- O jour de peine (Giorno di pianto),
French|Italian aria sung by Henri (Arrigo) (tenor) in Act IV
- Viens à nous, Dieu tutelaire (Deh! tu calma, o Dio possente),
French|Italian aria sung by La Duchesse Hélène (La Duchessa Elena) (soprano) in Act I
Lohengrin by Richard Wagner
- Athmest du nicht mit mir die süssen Düfte,
German aria sung by Lohengrin (tenor) in Act III, Scene 1
- Einsam in trüben Tagen (Elsa's Dream),
German aria sung by Elsa of Brabant (soprano) in Act I
- Erhebe dich, Genossin meiner Schmach,
German aria sung by Frederick of Telramund (baritone) in Act II, Scene 1
- Euch Lüften, die mein Klagen,
German aria sung by Elsa of Brabant (soprano) in Act II, Scene 1
- In fernem Land,
German aria sung by Lohengrin (tenor) in Act III, Scene 2
- Mein lieber Schwan,
German aria sung by Lohengrin (tenor) in Act III, Scene 2
- O fänd' ich Jubelweisen,
German aria sung by Elsa of Brabant (soprano) in Act I
Lost in the Stars by Kurt Weill
- Big Mole, English aria sung by Alex (soprano) in Act 2, Scene 7
- Lost in the Stars, English aria sung by Reverend Stephen Kumalo (baritone) in Act I, Scene 11
- O Tixo, Tixo, Help Me, English aria sung by Reverend Stephen Kumalo (baritone) in Act 2, Scene 2
- Stay Well, English aria sung by Irina (soprano) in Act 2, Scene 4
- The Little Gray House, English aria sung by Reverend Stephen Kumalo (baritone) in Act I, Scene 5
- Thousands of Miles, English aria sung by Reverend Stephen Kumalo (baritone) in Act I, Scene 1
- Trouble Man, English aria sung by Irina (soprano) in Act I, Scene 7
- Who'll Buy?, English aria sung by Linda (mezzo-soprano) in Act I, Scene 6
Louise by Gustave Charpentier
Lucia di Lammermoor by Gaetano Donizetti
- Ah, cedi, cedi!, Italian aria sung by Raimondo Bidebent (bass) in Act II, Scene I
- Al ben dei tuoi qual vittima,
Italian aria sung by Raimondo Bidebent (bass) in Act II, Scene I
- Cruda, funesta smania,
Italian aria sung by Enrico Ashton (baritone) in Act I, Scene I
- Dalle stanze, ove Lucia,
Italian aria sung by Raimondo Bidebent (bass) in Act III, Scene I
- Il dolce suono mi colpì di sua voce,
Italian aria sung by Lucia Lammermoor (soprano) in Act III, Scene I
- La pietade in suo favore,
Italian aria sung by Enrico Ashton (baritone) in Act I, Scene I
- Quando rapito in estasi,
Italian aria sung by Lucia Lammermoor (soprano) in Act I, Scene II
- Regnava nel silenzio,
Italian aria sung by Lucia Lammermoor (soprano) in Act I, Scene II
- Spargi d'amaro pianto,
Italian aria sung by Lucia Lammermoor (soprano) in Act III, Scene I
- Tombe degl'avi miei,
Italian aria sung by Edgardo (tenor) in Act III, Scene II
- Tu che a Dio spiegasti l'ali,
Italian aria sung by Edgardo (tenor) in Act III, Scene II
Lucio Silla by Wolfgang Amadeus Mozart
- Ah se a morir,
Italian aria sung by Cecilius (soprano) in Act II
- Ah se il crudel periglio,
Italian aria sung by Junia (soprano) in Act II
- D'ogni pietà mi spoglio,
Italian aria sung by Sulla (tenor) in Act II
- Dalla sponda tenebrosa,
Italian aria sung by Junia (soprano) in Act I
- De più superbi il core,
Italian aria sung by Lucius Cinna (soprano) in Act III
- Fra i pensier,
Italian aria sung by Junia (soprano) in Act III
- Guerrier che d'un acciaro,
Italian aria sung by Aufidius (tenor) in Act II
- Il desio di vendetta,
Italian aria sung by Sulla (tenor) in Act I
- Il tenero momento,
Italian aria sung by Cecilius (soprano) in Act I
- Nel fortunato istante,
Italian aria sung by Lucius Cinna (soprano) in Act II
- Parto, m'affretto,
Italian aria sung by Junia (soprano) in Act II
- Pupille amate,
Italian aria sung by Cecilius (soprano) in Act III
- Quando sugl'arsi campi,
Italian aria sung by Celia (soprano) in Act II
- Quest' improvviso tremito,
Italian aria sung by Cecilius (soprano) in Act II
- Se il labbro timido,
Italian aria sung by Celia (soprano) in Act II
- Se lusinghiera speme,
Italian aria sung by Celia (soprano) in Act I
- Strider sento la procella,
Italian aria sung by Celia (soprano) in Act III
- Vieni ov'amor t'invita,
Italian aria sung by Lucius Cinna (soprano) in Act I
Lucrezia Borgia by Gaetano Donizetti
Luisa Miller by Giuseppe Verdi
- A brani, a brani, o perfido,
Italian aria sung by Luisa Miller (soprano) in Act II, Scene 1
- Ah fu giusto il mio sospetto,
Italian aria sung by Miller (baritone) in Act I, Scene 1
- Il mio sangue la vita darei,
Italian aria sung by Count Walter (bass) in Act I, Scene 2
- L'ara o l'avella apprestami,
Italian aria sung by Rodolfo (tenor) in Act II, Scene 3
- Lo vidi e'l primo palpito,
Italian aria sung by Luisa Miller (soprano) in Act I, Scene 1
- Quando le sere al placido,
Italian aria sung by Rodolfo (tenor) in Act II, Scene 3
- Sacra la scelta è d'un consorte,
Italian aria sung by Miller (baritone) in Act I, Scene 1
- Tu puniscimi, O Signore,
Italian aria sung by Luisa Miller (soprano) in Act II, Scene 1
Macbeth by Giuseppe Verdi
- Ah, la paterna mano,
Italian aria sung by Macduff (tenor) in Act IV, Scene 1
- Come dal ciel precipita,
Italian aria sung by Banco (bass) in Act II, Scene 2
- Fuggi regal fantasima,
Italian aria sung by Macbeth (baritone) in Act III
- La luce langue,
Italian aria sung by Lady Macbeth (soprano) in Act II, Scene 1
- O lieto augurio,
Italian aria sung by Macbeth (baritone) in Act III
- O voluttà del soglio,
Italian aria sung by Lady Macbeth (soprano) in Act II, Scene 1
- Or tutti, sorgete,
Italian aria sung by Lady Macbeth (soprano) in Act I, Scene 2
- Pietà, rispetto, amore,
Italian aria sung by Macbeth (baritone) in Act IV, Scene 3
- Si colmi il calice di vino,
Italian aria sung by Lady Macbeth (soprano) in Act II, Scene 3
- Una macchia è qui tuttora!,
Italian aria sung by Lady Macbeth (soprano) in Act IV, Scene 2
- Vieni t'affretta,
Italian aria sung by Lady Macbeth (soprano) in Act I, Scene 2
Madama Butterfly by Giacomo Puccini
Manon Lescaut by Giacomo Puccini
- Ah Manon, mi tradisce,
Italian aria sung by Il Cavaliere Renato des Grieux (tenor) in Act II
- Donna non vidi mai,
Italian aria sung by Il Cavaliere Renato des Grieux (tenor) in Act I
- In quelle trine morbide,
Italian aria sung by Manon Lescaut (soprano) in Act II
- L’ora, o Tirsi, e vaga e bella,
Italian aria sung by Manon Lescaut (soprano) in Act II
- No! No! pazzo son!,
Italian aria sung by Il Cavaliere Renato des Grieux (tenor) in Act III
- Sei splendida e lucante,
Italian aria sung by Lescaut (baritone) in Act II
- Sola, perduta, abbandonata,
Italian aria sung by Manon Lescaut (soprano) in Act IV
- Tra voi, belle, brune e bionde,
Italian aria sung by Il Cavaliere Renato des Grieux (tenor) in Act I
- Vedete? Io son fedele,
Italian aria sung by Manon Lescaut (soprano) in Act I
Manon by Jules Massenet
- Adieu, notre petite table,
French aria sung by Manon Lescaut (soprano) in Act II
- Ah! fuyez, douce image,
French aria sung by Chevalier Des Grieux (tenor) in Act III, Scene 2
- Je suis encor tout étourdie,
French aria sung by Manon Lescaut (soprano) in Act I
- Le Rêve (En fermant les yeux),
French aria sung by Chevalier Des Grieux (tenor) in Act II
- Ne bronchez pas,
French aria sung by Lescaut (baritone) in Act I
- O Rosalinde,
French aria sung by Lescaut (baritone) in Act III, Scene 1
- Obéissons quand leur voix appelle,
French aria sung by Manon Lescaut (soprano) in Act III, Scene 1
- Voyons, Manon, plus de chimères,
French aria sung by Manon Lescaut (soprano) in Act I
Maria Stuarda by Gaetano Donizetti
- Ah! quando all'ara sorgemi…Ah dal ciel discenda un raggio,
Italian aria sung by Elisabetta (soprano) in Act I
- Ah! rimiro il bel sembiante,
Italian aria sung by Robert Dudley (tenor) in Act I
- Ah! se un giorno da queste ritorte,
Italian aria sung by Maria Stuarda (soprano) in Act III, Scene 2
- Deh! tu di un umile preghiera,
Italian aria sung by Maria Stuarda (soprano) in Act III, Scene 2
- Di un cor che more,
Italian aria sung by Maria Stuarda (soprano) in Act III, Scene 2
- Oh nube! che lieve per l'aria ti aggiri...Nella pace del mesto riposo,
Italian aria sung by Maria Stuarda (soprano) in Act II
- Quella vita a me funesta,
Italian aria sung by Elisabetta (soprano) in Act III, Scene 1
Martha by Friedrich von Flotow
- Ach so fromm, ach so traut (M'appari),
Italian|German aria sung by Lionel (tenor) in Act III
- Den Theuren zu versöhnen,
German aria sung by Lady Harriet Durham (Martha) (soprano) in Act IV
- Die letzte Rose (Wui sola, vergin rosa),
Italian|German aria sung by Lady Harriet Durham (Martha) (soprano) in Act II
- Jägerin, schlau im Sinn,
German aria sung by Nancy (Julia) (mezzo-soprano) in Act III
- Lasst mich euch fragen (Chi mi dira),
Italian|German aria sung by Plunkett (bass-baritone) in Act III
- Nimmermehr wird mein Herze, (Esser mesto il mio cor),
Italian|German aria sung by Nancy (Julia) (mezzo-soprano) in Act III
Mefistofele by Arrigo Boito
- Ave, Signor,
Italian aria sung by Mefistofele (bass) in Prologue
- Colma il tuo coro d'un palpito,
Italian aria sung by Faust (tenor) in Act II, Scene 1
- Dai campi, dai prati,
Italian aria sung by Faust (tenor) in Act I, Scene 2
- Ecco il mondo,
Italian aria sung by Mefistofele (bass) in Act II, Scene 2
- Forma ideal purissima,
Italian aria sung by Faust (tenor) in Act IV
- Giunto sul passo estremo,
Italian aria sung by Faust (tenor) in Epilogue
- L'altra notte in fondo al mare,
Italian aria sung by Margherita (soprano) in Act III
- Son lo spirito che nega sempre (Whistle Aria),
Italian aria sung by Mefistofele (bass) in Act I, Scene 2
- Spunta l'aurora pallida,
Italian aria sung by Margherita (soprano) in Act III
Mignon by Ambroise Thomas
- Adieu, Mignon,
French aria sung by Wilhelm Meister (tenor) in Act II, Scene 1
- Alerte, alerte, Philine!,
French aria sung by Philine (soprano) in Act II, Scene 1
- Connais-tu le pays,
French aria sung by Mignon (mezzo-soprano) in Act I
- De son coeur j'ai calmé la fièvre!,
French aria sung by Lothario (bass) in Act III
- Elle est là! près de lui,
French aria sung by Mignon (mezzo-soprano) in Act II, Scene 2
- Elle ne croyait pas,
French aria sung by Wilhelm Meister (tenor) in Act III
- Je connais un pauvre enfant,
French aria sung by Mignon (mezzo-soprano) in Act II, Scene 1
- Je suis Titania,
French aria sung by Philine (soprano) in Act II, Scene 2
- Me voici dans son boudoir,
French aria sung by Frédéric (contralto|tenor) in Act II, Scene 1
- Oui, je veux par le monde,
French aria sung by Wilhelm Meister (tenor) in Act I
Mitridate, Rè di Ponto by Wolfgang Amadeus Mozart
- Ah ben ne fui presaga…Pallid' ombre, Italian aria sung by Aspasia (soprano) in Act III
- Al destin che la minaccia,
Italian aria sung by Aspasia (soprano) in Act I
- Già dagli occhi, Italian aria sung by Farnace (soprano) in Act III
- Già di pietà mi spoglio, Italian aria sung by Mitridate (tenor) in Act II
- In faccia all'oggetto, Italian aria sung by Ismene (soprano) in Act I
- L'odio nel cor, Italian aria sung by Arbate (soprano) in Act I
- Lungi da te,
Italian aria sung by Sifare (soprano) in Act II
- Nel grave tormento, Italian aria sung by Aspasia (soprano) in Act II
- Nel sen mi palpita, Italian aria sung by Aspasia (soprano) in Act I
- Parto : nel gran cimento, Italian aria sung by Sifare (soprano) in Act I
- Quel ribelle, Italian aria sung by Mitridate (tenor) in Act I
- Se di lauri,
Italian aria sung by Mitridate (tenor) in Act I
- Se di regnar,
Italian aria sung by Marzio (tenor) in Act III
- Se il rigor d'ingrata sorte, Italian aria sung by Sifare (soprano) in Act III
- So quanto a te, Italian aria sung by Ismene (soprano) in Act II
- Soffre il mio cor, Italian aria sung by Sifare (soprano) in Act I
- Son reo; l'error confesso, Italian aria sung by Farnace (soprano) in Act II
- Tu che fedel, Italian aria sung by Mitridate (tenor) in Act II
- Tu sai per che m'accese, Italian aria sung by Ismene (soprano) in Act III
- Va, l'error mio palesa, Italian aria sung by Farnace (soprano) in Act II
- Vado incontro, Italian aria sung by Mitridate (tenor) in Act III
- Venga pur, minacci, Italian aria sung by Farnace (soprano) in Act I
Médée (Medea) by Luigi Cherubini
Nabucco by Giuseppe Verdi
- Anch'io dischiuso un giorno,
Italian aria sung by Abigaille (soprano) in Part II : L'Empio, Scene I
- Come notte a sol fulgente,
Italian aria sung by Zaccaria (bass) in Part I : Jerusalem
- D'Egitto là su i lidi,
Italian aria sung by Zaccaria (bass) in Part I : Jerusalem
- Dio di Giuda,
Italian aria sung by Nabucco (baritone) in Part IV : The Broken Idol, Scene 1
- O dischius'è il firmamento,
Italian aria sung by Fenema (mezzo-soprano) in Part IV : The Broken Idol, Scene 2
- O prodi miei, seguitemi,
Italian aria sung by Nabucco (baritone) in Part IV : The Broken Idol, Scene 2
- Salgo già del trono aurato,
Italian aria sung by Abigaille (soprano) in Part II : L'empio, Scene 2
- Tu sul labbro,
Italian aria sung by Zaccaria (bass) in Part II : L'empio, Scene 2
Norma by Vincenzo Bellini
Oberto Conte di San Bonifacio by Giuseppe Verdi
- Ciel che feci?,
Italian aria sung by Riccardo (tenor) in Act II, Scene II
- L'orror del tradimento...M tu superbo giovane, Italian aria sung by Oberto (bass) in Act I, Scene II
- Oh, chi torna l'ardente pensiero?...Più che i vezzi e lo splendore,
Italian aria sung by Cuniza (mezzo-soprano) in Act II, Scene I
- Parmi che al fin quest' anima...Da tanta gioia assorta, Italian aria sung by Cuniza (mezzo-soprano) in Act I, Scene II
- Son fra voi! Già sorto è il giorno...Già parmi udire il fremito,
Italian aria sung by Riccardo (tenor) in Act I, Scene I
- Sotto il paterno tetto...Oh potessi nel mio core,
Italian aria sung by Leonora (soprano) in Act I, Scene I
Orfeo ed Euridice by Christoph Willibald Gluck
- Addio, addio, o miei sospiri,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act I
- Che farò senza Euridice,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act III
- Che fiero momento,
Italian aria sung by Euridice (soprano) in Act III
- Che puro ciel,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act II
- Chiamo il mio ben cosi,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act I
- Dalla cetra tua,
Italian aria sung by Amor (soprano) in Act I
- Deh placatevi con me,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act II
- Gli sguardi trattieni Amor,
Italian aria sung by Amor (soprano) in Act I
- Men tiranne voi sareste,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act II
- Mille pene,
Italian aria sung by Orfeo (mezzo-soprano|contralto) in Act II
- È quest'asilo ameno e grato,
Italian aria sung by Euridice (soprano) in Act II
Orlando by George Frideric Handel
- Cielo! Se tu il consenti,
Italian aria sung by Orlando (contralto) in Act II
- Fammi combattere,
Italian aria sung by Orlando (contralto) in Act I, Scene 1
- Già l'ebio mio ciglio,
Italian aria sung by Orlando (contralto) in Act III, Scene 2
- Lascia Amor,
Italian aria sung by Zoroastro (bass) in Act I, Scene 1
- Sorge infausta una procella,
Italian aria sung by Zoroastro (bass) in Act III, Scene 2
- Tra caligini profonde,
Italian aria sung by Zoroastro (bass) in Act II
- Vaghe pupille,
Italian aria sung by Orlando (contralto) in Act II
- Verdi allori,
Italian aria sung by Medoro (contralto) in Act II
Otello by Giuseppe Verdi
Parsifal by Richard Wagner
Porgy and Bess by George Gershwin
- A red-headed woman, English aria sung by Crown (baritone) in Act II, Scene 4
- Bess, o where's my Bess?, English aria sung by Porgy (bass-baritone) in Act III, Scene 3
- Buzzard keep on flyin', English aria sung by Porgy (bass-baritone) in Act II, Scene 1
- I got plenty o' nuttin',
English aria sung by Porgy (bass-baritone) in Act II, Scene 1
- It ain't necessarily so,
English aria sung by Sportin' Life (tenor) in Act II, Scene 2
- Listen to yo' daddy warn you (A woman is a sometime thing),
English aria sung by Jake (baritone) in Act I, Scene 1
- My man's gone now,
English aria sung by Serena (soprano) in Act I, Scene 2
- Oh, I'm a goin' out (It take a long pull to get there), English aria sung by Jake (baritone) in Act II, Scene 1
- Summertime,
English aria sung by Clara (soprano) in Act I, Scene 1
- There's a boat dat's leavin' soon for New York, English aria sung by Sportin' Life (tenor) in Act III, Scene 2
- What you want wid Bess?, English aria sung by Bess (soprano) in Act II, Scene 2
Prince Igor by Alexander Borodin
- Ach! Gde ty, dge?, Russian aria sung by Vladimir (tenor) in Act II
- Ach! Plachu ja, gor'ko plachu ja,
Russian aria sung by Princess Yaroslavna (soprano) in Act IV
- Gresno tait, Russian aria sung by Prince Galitsky (bass) in Act I, Scene I
- Merknet svet dnevnoj, Russian aria sung by Kontchakovna (mezzo-soprano) in Act II
- Ne malo vremeni proslo s tech por, Russian aria sung by Princess Yaroslavna (soprano) in Act I, Scene II
- Ni sna ni otdycha izmuchennoj duse!, Russian aria sung by Prince Igor (baritone) in Act II
Rienzi by Richard Wagner
Rigoletto by Giuseppe Verdi
- Caro nome,
Italian aria sung by Gilda (soprano) in Act I, Scene II
- Cortigiani, vil razza dannata,
Italian aria sung by Rigoletto (baritone) in Act II
- La donna è mobile,
Italian aria sung by The Duke of Mantua (tenor) in Act III
- Pari siamo,
Italian aria sung by Rigoletto (baritone) in Act I, Scene II
- Parmi veder le lagrime,
Italian aria sung by The Duke of Mantua (tenor) in Act II
- Possente amor mi chiama,
Italian aria sung by The Duke of Mantua (tenor) in Act II
- Questa o quella,
Italian aria sung by The Duke of Mantua (tenor) in Act I, Scene I
- Tutte le feste al tempio,
Italian aria sung by Gilda (soprano) in Act II
Rinaldo by George Frideric Handel
- Abbruggio, avampo, e fremo,
Italian aria sung by Rinaldo (mezzo-soprano) in Act II, Scene 2
- Augelletti, che cantate,
Italian aria sung by Almirena (soprano) in Act I, Scene 2
- Cara sposa, amante cara,
Italian aria sung by Rinaldo (mezzo-soprano) in Act I, Scene 2
- Cor ingrato,
Italian aria sung by Rinaldo (mezzo-soprano) in Act I, Scene 2
- Lascia ch'io pianga,
Italian aria sung by Almirena (soprano) in Act II, Scene 2
- Or la tromba,
Italian aria sung by Rinaldo (mezzo-soprano) in Act III, Scene 2
- Sibillar gli angui d 'Aletto,
Italian aria sung by Argante (contralto) in Act I, Scene 1
- Venti, turbini,
Italian aria sung by Rinaldo (mezzo-soprano) in Act I, Scene 2
- Vo' far guerra,
Italian aria sung by Armida (soprano) in Act II, Scene 2
Roméo et Juliette by Charles-François Gounod
- Ah! lêve-toi soleil,
French aria sung by Roméo (tenor) in Act II
- Allons! jeunes gens!,
French aria sung by Lord Capulet (bass) in Act I
- Amour, ranime mon courage,
French aria sung by Juliet (soprano) in Act IV
- Je veux vivre dans le rêve (Juliet's Waltz),
French aria sung by Juliet (soprano) in Act I
- Mab, la reine des mensonges,
French aria sung by Mercutio (baritone) in Act I
- Que fais-tu, blanche tourterelle?,
French aria sung by Stephano (soprano) in Act III, Scene 2
Rusalka by Antonin Dvorak
Samson et Dalila by Camille Saint-Saëns
Semiramide by Gioacchino Rossini
- Ah, dov'é?,
Italian aria sung by Idreno (tenor) in Act I, Scene 1
- Al mio pregar,
Italian aria sung by Semiramide (soprano) in Act II, Scene 2
- Bel raggio lusinghier,
Italian aria sung by Semiramide (soprano) in Act I, Scene 1
- Deh! ti ferma ti placa,
Italian aria sung by Assur (bass-baritone) in Act II, Scene 2
- Eccomi alfine in Babilonia…Ah, quel giorno ognor rammento,
Italian aria sung by Arsace (contralto) in Act I, Scene 1
- In sì barbara sciagura,
Italian aria sung by Arsace (contralto) in Act II, Scene 1
- La speranza più soave,
Italian aria sung by Idreno (tenor) in Act II, Scene 1
Serse by George Frideric Handel
Siegfried by Richard Wagner
Simon Boccanegra by Giuseppe Verdi
Stiffelio by Giuseppe Verdi
- A te ascenda, O Dio clemente,
Italian aria sung by Lina (soprano) in Act I, Scene 1
- Ah dagli scanni eternei,
Italian aria sung by Lina (soprano) in Act II, Scene 1
- Ah v'appare in fronte scritto,
Italian aria sung by Stiffelio (tenor) in Act I, Scene 1
- Di qua varcando sul primo albore,
Italian aria sung by Stiffelio (tenor) in Act I, Scene 1
- Lina pensai che un angelo,
Italian aria sung by Stankar (baritone) in Act III, Scene 1
- O gioia inesprimibile,
Italian aria sung by Stankar (baritone) in Act III, Scene 1
- Perder dunque voi volete,
Italian aria sung by Lina (soprano) in Act II, Scene 1
- Vidi dovunque gemere,
Italian aria sung by Stiffelio (tenor) in Act I, Scene 1
Suor Angelica by Giacomo Puccini
- Senza mamma,
Italian aria sung by Suor Angelica (soprano)
Susannah by Carlisle Floyd
- Ain't it a pretty night?, English aria sung by Susannah Polk (soprano) in Act I, Scene 2
- Hear me, O Lord, English aria sung by Olin Blitch (bass-baritone) in Act II, Scene 4
- I'm a lonely man, Susannah, English aria sung by Olin Blitch (bass-baritone) in Act II, Scene 3
- I'm fixin' to tell y' 'bout a feller I knowed, English aria sung by Olin Blitch (bass-baritone) in Act II, Scene 2
- It's about the way people is made, I reckon, English aria sung by Sam Polk (tenor) in Act I, Scene 5
- The trees on the mountains are cold and bare, English aria sung by Susannah Polk (soprano) in Act II, Scene 3
Tancredi by Gioacchino Rossini
- Come dolce all'alma mia,
Italian aria sung by Amenaide (soprano) in Act I, Scene 1
- Di mia vita infelice…No, che il morir non é,
Italian aria sung by Amenaide (soprano) in Act II, Scene 2
- Dove son io…Ah! che scordar non so,
Italian aria sung by Tancredi (contralto|mezzo-soprano) in Act II, Scene 4
- Gran Dio!…Giusto Dio che umile adoro,
Italian aria sung by Amenaide (soprano) in Act II, Scene 2
- O patria!...Tu che accendi questo core…Di tanti palpiti,
Italian aria sung by Tancredi (contralto|mezzo-soprano) in Act I, Scene 2
- Oh Dio!…Ah! segnar invano io tento,
Italian aria sung by Argirio (tenor) in Act II, Scene 1
- Or che dici? or che rispondi?,
Italian aria sung by Tancredi (contralto|mezzo-soprano) in Act II, Scene 4
- Pensa che sei mia figlia,
Italian aria sung by Argirio (tenor) in Act I, Scene 2
- Torni alfin ridente, e bella,
Italian aria sung by Roggiero (soprano) in Act II, Scene 3
- Tu che i miseri conforti,
Italian aria sung by Isaura (contralto|mezzo-soprano) in Act II, Scene 1
Tannhäuser by Richard Wagner
- Allmächt'ge Jungfrau,
German aria sung by Elisabeth (soprano) in Act III, Scene 1
- Als du im kühnem Sange uns betrittest,
German aria sung by Wolfram von Eschenbach (baritone) in Act I, Scene 4
- Blick' ich umher,
German aria sung by Wolfram von Eschenbach (baritone) in Act II
- Dich, theure Halle,
German aria sung by Elisabeth (soprano) in Act II
- Dir töne Lob!,
German aria sung by Heinrich Tannhäuser (tenor) in Act I, Scene 2
- Geliebter, komm!,
German aria sung by Venus (soprano|mezzo-soprano) in Act I, Scene 2
- Inbrunst im Herzen,
German aria sung by Heinrich Tannhäuser (tenor) in Act III, Scene 3
- O du mein holder Abendstern,
German aria sung by Wolfram von Eschenbach (baritone) in Act III, Scene 2
Thaïs by Jules Massenet
- Dis-moi que je suis belle,
French aria sung by Thaïs (soprano) in Act II, Scene 1
- Hélas, enfant encore,
French aria sung by Athanaël (baritone) in Act I, Scene 1
- L'amour est une vertu rare,
French aria sung by Thaïs (soprano) in Act II, Scene 2
- O messager de Dieu,
French aria sung by Thaïs (soprano) in Act III, Scene 1
- Qui te fiat si sévère,
French aria sung by Thaïs (soprano) in Act I, Scene 2
- Toi qui mis la pitié,
French aria sung by Athanaël (baritone) in Act I, Scene 1
- Tu sais, Ô Palémon,
French aria sung by Athanaël (baritone) in Act III, Scene 2
- Voilá donc la terrible cité,
French aria sung by Athanaël (baritone) in Act I, Scene 2
The Ballad of Baby Doe by Douglas Moore
- Always through the changing of sun and shadow, English aria sung by Elizabeth Doe (Baby Doe) (soprano) in Act II, Scene 5
- Augusta! How can you turn away?, English aria sung by Augusta Tabor (mezzo-soprano) in Act II, Scene 4
- Gold Aria (Gold is a fine thing), English aria sung by Elizabeth Doe (Baby Doe) (soprano) in Act I, Scene 6
- Letter Song (Dearest Mama), English aria sung by Elizabeth Doe (Baby Doe) (soprano) in Act I, Scene 4
- The fine ladies walk with their heads, English aria sung by Elizabeth Doe (Baby Doe) (soprano) in Act II, Scene 1
- Turn tail and run then, English aria sung by Horace Tabor (baritone) in Act II, Scene 2
- Warm as the autumn light, English aria sung by Horace Tabor (baritone) in Act I, Scene 2
- Willow Song (Willow where we met together), English aria sung by Elizabeth Doe (Baby Doe) (soprano) in Act I, Scene 2
The Bartered Bride (Prodaná Nevesta) by Bedrich Smetana
- Jak mozná verit (Soon now, my dearest), Czech aria sung by Jenik (tenor) in Act II
- Kdybych se co takového (Ah my darling, we could grow together), Czech aria sung by Marenka (soprano) in Act I
- Má ma-ma-ticka (N…n…n…now, my dear), Czech aria sung by Vasek (tenor) in Act II
- Och, jaky zal!…Ten lásky sen (How can I live…How strange and dead is everything here), Czech aria sung by Marenka (soprano) in Act III
- To-to mi v hlave lezí (Oh, how d…d…d…doubts fill me), Czech aria sung by Vasek (tenor) in Act III
The Bohemian Girl by Michael William Balfe
- 'Tis sad to leave our Fatherland,
English aria sung by Thaddeus (tenor) in Act I
- A Soldier's Life,
English aria sung by Count Arnheim (bass) in Act I
- Bliss forever past,
English aria sung by The Queen of the Gypsies (mezzo-soprano) in Act II, Scene 1
- Come with the Gipsy bride,
English aria sung by Arline (soprano) in Act II, Scene 2
- I dreamt that I dwelt in marble halls,
English aria sung by Arline (soprano) in Act II, Scene 1
- Is no succor near at hand?,
English aria sung by Florestein (tenor) in Act I
- Love smiles but to deceive,
English aria sung by The Queen of the Gypsies (mezzo-soprano) in Act II, Scene 1
- Oh, what full delight,
English aria sung by Arline (soprano) in Act III
- The heart bowed down,
English aria sung by Count Arnheim (bass) in Act II, Scene 4
- Then you'll remember me,
English aria sung by Thaddeus (tenor) in Act III
- When the fair land of Poland,
English aria sung by Thaddeus (tenor) in Act III
The Consul by Gian-Carlo Menotti
The Jumping Frog of Calaveras County by Lukas Foss
The Mikado by Arthur Sullivan
The Old Maid and the Thief by Gian-Carlo Menotti
The Queen of Spades (Pique Dame or Pikovaya Dama) by Peter Illyich Tchaikovsky
- Baryshnyam vashego kruga (Governess's Aria),
Russian aria sung by Governess (mezzo-soprano) in Act I, Scene 2
- Ja imeni jejo ne znayu (Herman's Arioso),
Russian aria sung by Herman (tenor) in Act I, Scene 1
- Ja vas lyublyu (Prince's Aria),
Russian aria sung by Prince Yeletsky (baritone) in Act II, Scene 1
- Odnazhdy v Versale (Tomsky's Ballad),
Russian aria sung by Count Tomsky (baritone) in Act I, Scene 1
- Podrugi milyye (Pauline's Aria),
Russian aria sung by Pauline (contralto) in Act I, Scene 2
- Utzh polnoch blizitsya…Ach, istomilas ja gorem (Lisa's Scene and Arioso),
Russian aria sung by Lisa (soprano) in Act III, Scene 2
- Yesli b milyye devitsy (Tomsky's Song),
Russian aria sung by Count Tomsky (baritone) in Act III, Scene 3
- Zashem zhe eti slyozy (Lisa's Aria),
Russian aria sung by Lisa (soprano) in Act I, Scene 2
The Rake's Progress by Igor Stravinsky
- As I was saying both brothers wore moustaches, English aria sung by Baba the Turk (mezzo-soprano) in Act II, Scene 3
- Fair lady, gracious gentlemen, English aria sung by Nick Shadow (baritone) in Act I, Scene 1
- Gently, little boat, English aria sung by Anne (soprano) in Act III, Scene 3
- Here I stand…Since it is not by merit, English aria sung by Tom Rakewell (tenor) in Act I, Scene 1
- How strange!…O heart be stronger, English aria sung by Anne (soprano) in Act II, Scene 2
- In youth the panting slave, English aria sung by Nick Shadow (baritone) in Act II, Scene 1
- Love, too frequently betrayed, English aria sung by Tom Rakewell (tenor) in Act I, Scene 2
- No word from Tom…Quietly Night…I go, I go to him, English aria sung by Anne (soprano) in Act I, Scene 3
- Scorned! Abused! Neglected!, English aria sung by Baba the Turk (mezzo-soprano) in Act II, Scene 3
- Vary the song, English aria sung by Tom Rakewell (tenor) in Act II, Scene 1
- Who hears me, knows me…La! come bid, English aria sung by Sellem (tenor) in Act III, Scene 1
The Saint of Bleecker Street by Gian-Carlo Menotti
- Although you made this land your home, English aria sung by Michele (tenor) in Act II
- Be good to her, be kind, English aria sung by Annina (soprano) in Act II
- Oh sweet Jesus, spare me this agony, English aria sung by Annina (soprano) in Act I, Scene 1
- What does she ever do for you except light candles for your soul?…Ah Michele, don't you know, English aria sung by Desideria (soprano) in Act II
- You remember the time, English aria sung by Maria Corona (soprano) in Act III, Scene 1
The Tender Land by Aaron Copland
- All thinking's done, English aria sung by Ma Moss (contralto) in Act III
- Daybreak will come in such short time, English aria sung by Martin (tenor) in Act III
- I'm gettin' tired of travelin' through, English aria sung by Martin (tenor) in Act II
- Laurie's Song (Once I thought I'd never grow), English aria sung by Laurie Moss (soprano) in Act I
- Oh, I was goin' a-courtin', English aria sung by Top (baritone) in Act II
- Thank you, thank you all, English aria sung by Laurie Moss (soprano) in Act II
- That's crazy, English aria sung by Top (baritone) in Act III
- The sun is coming up, English aria sung by Laurie Moss (soprano) in Act III
Tosca by Giacomo Puccini
Tristan und Isolde by Richard Wagner
Trouble in Tahiti by Leonard Bernstein
Turandot by Giacomo Puccini
Un Ballo in Maschera by Giuseppe Verdi
- Alla vita che t'arride,
Italian aria sung by Renato (baritone) in Act I, Scene 1
- Di' tu se fedele,
Italian aria sung by Riccardo (tenor) in Act I, scene 2
- Eri tu che macchiavi quell'anima,
Italian aria sung by Renato (baritone) in Act III, Scene 1
- La rivedrà nell'estasi,
Italian aria sung by Riccardo (tenor) in Act I, Scene 1
- Ma dall'arido stelo divulsa,
Italian aria sung by Amelia (soprano) in Act II
- Ma se m'è forza perderti,
Italian aria sung by Riccardo (tenor) in Act III, scene 2
- Morrò, ma prima in grazia,
Italian aria sung by Amelia (soprano) in Act III scene 1
- Re dell'abisso, affrettati,
Italian aria sung by Ulrica (mezzo-soprano) in Act I, scene 2
- Saper vorreste,
Italian aria sung by Oscar (soprano) in Act III, scene 3
- Volta la terrea,
Italian aria sung by Oscar (soprano) in Act I, Scene 1
Un Giorno di Regno by Giuseppe Verdi
- Compagnoni di Parigi...Verrà purtroppo il giorno,
Italian aria sung by Cavaliere di Belfiore (baritone) in Act I, Scene I
- Grave a core innamorato...Se dee cader la vedova,
Italian aria sung by Marchesa del Poggio (soprano) in Act I, Scene I
- Non san quant'io nel petto...Non vo' quel vecchio,
Italian aria sung by Giulietta di Kelbar (mezzo-soprano) in Act I, Scene II
- Pietoso al lungo pianto...Deh lasciate a un alma amante,
Italian aria sung by Edoardo (tenor) in Act II, Scene I
- Si mostri a chi l'adora...Si, scordar saprò l'infido,
Italian aria sung by Marchesa del Poggio (soprano) in Act II, Scene II
Vanessa by Samuel Barber
- Do not utter a word, English aria sung by Vanessa (soprano) in Act I, Scene 1
- For ev'ry love there is a last farewell, English aria sung by The Old Doctor (baritone) in Act III, Scene 2
- Must the winter come so soon?, English aria sung by Erika (mezzo-soprano) in Act I, Scene 1
- On the path to the lake, English aria sung by Anatol (tenor) in Act III, Scene 1
- Outside this house, English aria sung by Anatol (tenor) in Act I, Scene 2
- Why must the greatest sorrows, English aria sung by Vanessa (soprano) in Act III, Scene 1
- You rascal you! I never knew you had a soul, English aria sung by The Old Doctor (baritone) in Act II
Werther by Jules Massenet
Zaide by Wolfgang Amadeus Mozart
- Der stolze Löw' lässt sich zwar zähmen, German aria sung by Sultan Soliman (tenor) in Act II
- Herr und Freund, wie dank ich dir!, German aria sung by Gomatz (tenor) in Act I
- Ich bin so bös als gut, German aria sung by Sultan Soliman (tenor) in Act II
- Ihr Mächtigen seht ungerührt, German aria sung by Allazim (bass) in Act II
- Nur mutig, mein Herze, German aria sung by Allazim (bass) in Act I
- Rase, Schicksal, German aria sung by Gomatz (tenor) in Act I
- Ruhe sanft, mein holdes Leben,
German aria sung by Zaide (soprano) in Act I
- Tiger! Wetze nur die Klauen, German aria sung by Zaide (soprano) in Act II
- Trostlos schluchzet Philomele, German aria sung by Zaide (soprano) in Act II
- Wer hungrig bei der Tafel sitzt, German aria sung by Osmin (bass) in Act II
Operatic Ensembles
- Pa-pa-pa,
from Die Zauberflöte (The Magic Flute) by Wolfgang Amadeus Mozart, duet sung by Papageno and Papagena (baritone|soprano) in Act II
- Là ci darem la mano,
from Don Giovanni by Wolfgang Amadeus Mozart, duet sung by Don Giovanni and Zerlina (baritone|soprano) in Act I, Scene III
- O soave fanciulla,
from La Bohème by Giacomo Puccini, duet sung by Rodolfo and Mimi (tenor|soprano) in Act I
- Dôme épais, le jasmin (also known as the Barcarolle or the Flower Duet),
from Lakmé by Leo Delibes, duet sung by Lakmé and Mallika (soprano|mezzo-soprano) in Act I
- Aprite, presto, aprite!,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, duet sung by Susanna and Cherubino (soprano|mezzo-soprano) in Act II
- Gente, gente, all’armi, all’armi!,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, full cast sung by full cast (all) in Act IV
- Pace, pace, mio dolce tesoro,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, trio sung by Figaro , Susanna and Count Almaviva (bass-baritone|soprano|baritone) in Act IV
- Partito è alfin l’audace,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, quartet sung by Figaro , Susanna , Count Almaviva, and the Countess (bass-baritone|soprano|baritone|soprano) in Act IV
- Pian, pianin, le andrò più presso,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, quintet sung by Figaro , Susanna , Count Almaviva, the Countess, and Cherubino (bass-baritone|soprano|baritone|soprano|mezzo-soprano) in Act IV
- Ricevete, o padroncina,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, chorus sung by a chorus of country girls (soprano|mezzo-soprano) in Act III
- Riconosci in quest’amplesso,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, sextet sung by Marcellina , Figaro , Bartolo , Don Curzio , the Count and Susanna . (mezzo-soprano|bass-baritone|bass|tenor|baritone|soprano) in Act III
- Sull'aria (also known as Che soave zeffiretto or the Letter Duet),
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, duet sung by Susanna and the Countess Almaviva (soprano|soprano) in Act III
- Tutto è tranquillo e placido,
from Le Nozze di Figaro by Wolfgang Amadeus Mozart, duet sung by Figaro and Susanna (bass-baritone|soprano) in Act IV
- Au fond du temple saint,
from Les Pêcheurs de Perles by Georges Bizet, duet sung by Zurga and Nadir (baritone|tenor) in Act I
- Va, pensiero sull'ali dorate,
from Nabucco by Giuseppe Verdi, chorus sung by a chorus of Hebrew slaves (all) in Part III : The Prophecy, scene 2
- Bella figlia del amore,
from Rigoletto by Giuseppe Verdi, quartet sung by Rigoletto , Gilda , the Duke of Mantua, and Maddalena (baritone|soprano|tenor|mezzo-soprano) in Act III
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